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INTERNAZIONALE

Systemic Racism, Italian Style

Simply condemning the recent racist violence in Italy falls short in confronting a colonial past and an 'unconscious' racism that permeates European countries like Italy.

A mural to honor Duarte by famous street artist Ozmo in the historic center of Paliano, Italy.
A mural to honor Duarte by famous street artist Ozmo in the historic center of Paliano, Italy.
Oiza Q. Obasuyi

ROME — During the night between September 5 and 6, Willy Monteiro Duarte, a 21-year-old was beaten to death just outside Rome. The killers didn't seem to have much of a reason: Monteiro Duarte, who was born in Rome to parents from the African island nation of Cape Verde, was trying to stop a brawl that originally had nothing to do with him.

At least two of the killers were known to gravitate around neo-fascist groups, and pundits immediately spoke of a racist and fascist attack. "Look at this," they said. "This is what racism is in Italy."

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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