LE MONDE

Your Ego Online, Psychoanalysis In The Social Media Age

Exposing your e-go on the couch
Exposing your e-go on the couch
Clotilde Leguil*

PARIS — What becomes of psychoanalysis in our hyper-connected digital world? The question is ripe, as new technologies capture the psyche and absorb the libido of each and every one of us. As relations among individuals are now broadcast to everyone, your relationship with yourself is fundamentally altered. This changes the status of speech and language, of intimacy and secrecy, of the image we offer of ourselves to others.

Multiple apps now rule our relationships — social, romantic, familial — and thus slip into the very core of our existence. They redirect our relationship to our own selves and the Other by always accelerating the transmission process of information and exhibition of that which is intimate.

It's the relation of a subject to its own existential temporality that ends up being transformed. Confessions, avowals, unveilings abound on the web. The rapidity, the acceleration, the "always more and always faster" describes the zeitgeist of this new globalized ego.

What is becoming globalized isn't just economic exchanges, social and political relations, but the individual intimacy of us all. As if the "nucleus of our being" — "das Kern unseres Wesen," as Freud put it — not only eluded us but was given over to a faceless Other, devoid of desire and incarnation but not of voracity: the online Other, the Other of social networks, of the "likes' and "dislikes."

We are thus living in a time of ego hypertrophy, correlated to a globalization of our compulsive needs. Mass narcissism is the distinctive characteristic of the present moment. Self-promotion knows no boundaries. The relationship to sexuality, which Freud transformed back in his day by liberating speech, is no longer repressed nor punished. Everybody wants more jouissance (a French term that means both enjoyment and sexual orgasm) and often counts on new technologies to meet this deficiency efficiently, and sometimes even as an answer to angst and dereliction.

Everything is known, everything is shown.

What condition is required for psychoanalysis to continue to produce an effect of drastic change and subjective transformation in a world where everything is told, everything is known, everything is shown? Is there still space for listening and interpretation when everything can now be unveiled, revealed, published and echoed around the world with a single click, without ever knowing who you're actually addressing?

We can indeed ask ourselves what room our contemporary world leaves for the breakthroughs of Sigmund Freud (1856-1939) and French psychoanalyst Jacques Lacan (1901-1981). Should psychoanalysis conform to the zeitgeist in order to appear attractive? Should it repackage itself and consent to the virtualization of its presence? If psychoanalysis must be reinvented according to the changing symptoms of the times, our day and age must now show what psychoanalysis will become in the era of the globalized ego.

For it would be dangerous for psychoanalysis to lose interest in and cut itself off from the present. But it would be equally dangerous for it to obey the injunctions of the times and forget the value of the established norms of the analytic experiment, its out-of-the-ordinary status, its singular tone, so different from your everyday conversation and the never-ending blah blah of social networks?

Shouldn't we be wary of these deviations that lead to making people believe that seeing a psychoanalyst is as easy as using their iPhone and that they can dispose of their anxieties with online experts who answer their questions?

The object of psychoanalysis, since it was discovered by Freud in the early 20th century, is the "speaking subject." The territory of analytical experience is "the I", in that it might lead you to explore your being from your subconscious. It is through this talking cure that a person who engages in analysis can have an unprecedented connection to their inhibitions, their symptoms, their anxieties.

To enter analysis, you need to want to know something about yourself through what you tell an Other, whom you trust to interpret what is said. Therefore, it's not just any of the subject's words that have an analytical value, and similarly, it's not just any Other who is in a position to receive your words, and address your demand for deciphering your mysteries.

In the 21st century, for psychoanalysis to remain a special experience among subjective experiences, we, therefore, need to return to its roots. Freud's starting point was the radical distinction between the conscious and the unconscious. Lacan's starting point was another, but equally fundamental, distinction between the ego (the "me", moi in French) and the "I" (je in French).

The narcissist boom is the symptom of our times

Lacan's thesis in the 1950s, in reaction to the ego psychology of post-Freudians, was that the ego isn't the "I." Confusing the narcissism of the ego (moi) with what the subject says about unconscious desire will lead to the death of psychoanalysis. For access to the unconscious implies going through the narcissism and the belief in an identity fabricated from representations of ourselves.

This Lacanian distinction between our narcissist relation to ourselves and our strangely worrying relation to our subconscious is enlightening now more than ever to understand how relevant a role psychoanalysis can have in the 21st century. Because the narcissist boom, the symptom of our times, will never give access to the desire and the secret of the being. Screenwriting your life online will never stem anxiety. The comments and judgments that anybody can give on the life choices of other people often contribute to increasing anxiety of those who are looking to the Other for an answer to their existential questioning.

To be able to say something about this part of strangeness that lies within each of us and causes us anxiety, you need to be able to address a personified Other, not just anybody. A psychoanalyst is an Other in the flesh, one who will lend his or her body to listen to what can't be heard because he will have experienced the analysis and its subjective effects himself. An Other who is there to answer what is being said beyond what the subject means. An Other who takes an interest in dreams and lapses, as hallmarks of the subconscious on the subject's very being.

A psychoanalyst, as opposed to the online Other, is not an Other who judges, gives opinions, advice, who "likes' or "dislikes." He's an Other who doesn't bear judgment on what is said and who authorizes those who speak to say they don't understand.

Letting the words flow, in psychoanalysis, doesn't mean saying everything to anybody but rather to speak the unpronounceable to an Other who is in a position to respond. The 21st century psychoanalyst is different from the anonymous recipient of digital information in that he isn't an Other who seeks pleasure from what he sees and hears. In the era of the globalized ego, you could consider that this Other, capable of listening without judging and without taking pleasure out of it, is necessary because the acceleration of the demand for enjoyment contributes to the rise of anxiety.

This Other is interested in what is most singular in what the subject says. Lacan put it elegantly in his founding work The Function and Field of Speech and Language in Psychoanalysis. What does it mean to consider that we speak "the same language" as somebody else? It doesn't mean that "you encounter each other in the discourse of everyman, but that you're united with that person by a particular way of speaking." Psychoanalysis, therefore, is an exception in the world of globalized communication as it keeps alive this particular language, that of each and every person's subconscious.

Mass narcissism eventually diverts everybody from their own existence.

This language is spoken in the first person and it fulfills itself in an "Us' that doesn't include everybody, but exists during the time of a session. It's spoken by making the signifiers of your destiny go through your throat, for it's also spoken with your voice, that is to say with your body. The role of psychoanalysis is to make this particular language resonate with what allows us to tear ourselves away from narcissism. Because the danger of mass narcissism is that it eventually diverts everybody from their own existence. The desire to exist in the imagination of someone else who's seeking pleasure through consumption of his image, the subject winds up missing out of his own life. He winds up not knowing what he was trying to discover for himself, as he keeps getting lost in the world of the Other.

It is true that in the era of the globalized ego, psychoanalysis has changed. It has come to stand at the service of mass narcissism. It has been forced to look at this hypertrophied narcissism as a wall that separates the subject from his desire, to be left alone with his urges.

In 1968, Lacan described a "surplus-jouissance," evoking a new imperative at the time to "enjoy oneself/come more" ("jouir plus"). In this sense, Lacanian psychoanalysis has the means to fit in with the current times: By leading the subject to see the point where he loses himself in a "jouissance" imperative that's blinding him, we can continue to hold on to the most extraordinary part of speech: its ability to unveil a truth and a desire that can bring back meaning to our existence.


*Clotilde Leguil is a French psychoanalyst and philosopher. She's also a member of the School of the Freudian Cause and of the International Psychoanalytic Association, as well as professor at the University of Paris 8 - Saint-Denis.

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Society

Debt Trap: Why South Korean Economics Explains Squid Game

Crunching the numbers of South Korea's personal and household debt offers a glimpse into what drives the win-or-die plot of the Netflix hit produced in the Asian country.

In the Netflix series, losers of the game face death

Yip Wing Sum

-Analysis-

SEOUL — The South Korean series Squid Game has become the most viewed series on Netflix, watched by over 111 million viewers and counting. It has also generated a wave of debate online and off about its provocative message about contemporary life.

The plot follows the story of a desperate man in debt, who receives a mysterious invitation to play a game in which the contestants gamble their lives on six childhood games, with the winner awarded a prize of 45.6 billion won ($38 million)... while the losers face death.


It's a plot that many have noted is not quite as surreal as it sounds, a reflection of the reality of Korean society today mired in personal debt.

Seoul housing prices top London and New York

In the polished streets of downtown Seoul, one sees endless cards and coupons advertising loans scattered on the ground. Since the outbreak of the pandemic, as the demand for loans in South Korea has exploded, lax lending policies have led to a rapid increase in personal debt.

According to the South Korean Central Bank's "Monetary Credit Policy Report," household debt reached 105% of GDP in the first quarter of this year, equivalent to approximately $1.5 trillion at the end of March, with a major share tied up in home mortgages.

Average home loans are equivalent to 270% of annual income.

One reason behind the debts is the soaring housing prices. In Seoul, home to nearly half of the country's population, housing prices are now among the highest in the world. The price to income ratio (PIR), which weighs the average price of a home to the average annual household income, is 12.04 in Seoul, compared to 8.4 in San Francisco, 8.2 in London and 5.4 in New York.

According to the Korea Real Estate Commission, 42.1% of all home purchases in January 2021 were by young Koreans in their 20s and 30s. For those in their 30s, the average amount borrowed is equivalent to 270% of their annual income.

Playing the stock market

At the same time, the South Korean stock market is booming. The increased demand to buy stocks has led to an increase in other loans such as credit. The ratio for Korean shareholders conducting credit financing, i.e. borrowing from securities companies to secure stock holdings, had reached 21.4 trillion won ($17.7 billion), further increasing the indebtedness of households.

A 30-year-old Seoul office worker who bought stocks through various forms of borrowing was interviewed by Reuters this year, and said he was "very foolish not to take advantage of the rebound."

In addition to his 100 million won ($84,000) overdraft account, he also took out a 100 million won loan against his house in Seoul, and a 50 million won stock pledge. All of these demands on the stock market have further exacerbated the problem of household debt.

42.1% of all home purchases in January 2021 were by young Koreans in their 20s and 30s

Simon Shin/SOPA Images/ZUMA

Game of survival

In response to the accumulating financial risks, the Bank of Korea has restricted the release of loans and has announced its first interest rate hike in three years at the end of August.

But experts believe that even if banks cut loans or raise interest rates, those who need money will look for other ways to borrow, often turning to more costly institutions and mechanisms.

This all risks leading to what one can call a "debt trap," one loan piling on top of another. That brings us back to the plot of Squid Game, "Either you live or I do." South Korean society has turned into a game of survival.

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