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Jordan

Exclusive: The Secret Global Data Cell Infiltrating Jihadists

We knew the name: Operation Gallant Phoenix. But now Le Monde has exclusive access to details of the U.S.-led, Jordan-based effort to use digital tools to track, capture and convict some of the most dangerous perpetrators of Islamist terror around the wor

Operation Gallant Phoenix: data cell vs. jihadist cells ...
Operation Gallant Phoenix: data cell vs. jihadist cells ...
Elise Vincent and Christophe Ayad

Hidden from view in the quiet heat of Jordan, a vast data war is being waged. Ground zero is an American military base in the heart of the Hashemite kingdom, where for the past five years, a silent tracking system has been developed based on meticulous archives. The goal of this painstaking project? Identifying and consolidating the traces of every kind of jihadist fighter to pursue them in any way possible — including in the courts.

This extraordinary project was long run by the Pentagon and kept completely under wraps. While it remains a confidential operation to this day, it's been mentioned briefly by official sources across the Atlantic and by a few intelligence unit insiders in European media. Yet the undertaking was never disclosed to the public in detail. Today, Le Monde can reveal the origins and the modus operandi of what is known under the code name "Operation Gallant Phoenix" (OGP).

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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