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Rebecca Dali at the United Nations' Headquarters in Geneva
Rebecca Dali at the United Nations' Headquarters in Geneva
Stéphane Bussard

GENEVA She didn't expect the enthusiasm with which she was honored. When she received the 2017 Sergio Vieira de Mello Award, which is named after the former High Commissioner for Human Rights who was killed in Iraq in 2003, it was followed by a spontaneous roar of applause. Rebecca Dali, 56, was being feted at the Palace of Nations in Geneva on Aug. 19 — World Humanitarian Day — for her work in Nigeria. At that moment, she felt she experienced a "miracle of God."

Dali runs the Center for Caring, Empowering and Peace Initiatives (CCEPI), which was created in 1989 to help Nigerian women, children and orphans. Despite the radiant smile on her face, she typically works in the shadows.

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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