When the world gets closer.

We help you see farther.

Sign up to our expressly international daily newsletter.

Japan

Japanese Nationalists Try To Bury Past, Kill Freedom Of Expression

There's a bitter irony when an exhibit titled 'Non-Freedom of Expression' itself faces censorship.

 Japanese ultranationalist and far-right activist candidate Makoto Sakurai during a campaign rally, Tokyo, 2016
Japanese ultranationalist and far-right activist candidate Makoto Sakurai during a campaign rally, Tokyo, 2016
Meike Eijsberg

TOKYO — An exhibition opening in Tokyo criticizing Japan's militaristic past and human rights atrocities, called "Non-Freedom of Expression," was itself canceled under pressure from the extreme right. Japanese and international media have reported that threats from the Japanese nationalist movement have led to the cancellation of the opening of the exhibition the day before its June 25 inauguration.

Le Monde reports that the exhibition was originally supposed to take place at the Session House, a private space in Tokyo. But far-right protesters demonstrated outside the building, while hateful and violence language multiplied. The police were notified but remained discreet, only asking the protesters to turn down the volume. A new location was found and kept secret until the last moment but, fearing an incident, the owner of the venue canceled the exhibition.

Keep reading... Show less
You've reached your monthly limit of free articles.
To read the full article, please subscribe.
Get unlimited access. Support Worldcrunch's unique mission:
  • Exclusive coverage from the world's top sources, in English for the first time.
  • Stories from the best international journalists.
  • Insights from the widest range of perspectives, languages and countries
Already a subscriber? Log in

When the world gets closer, we help you see farther

Sign up to our expressly international daily newsletter!
Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

Keep reading... Show less

When the world gets closer, we help you see farther

Sign up to our expressly international daily newsletter!
You've reached your monthly limit of free articles.
To read the full article, please subscribe.
Get unlimited access. Support Worldcrunch's unique mission:
  • Exclusive coverage from the world's top sources, in English for the first time.
  • Stories from the best international journalists.
  • Insights from the widest range of perspectives, languages and countries
Already a subscriber? Log in
THE LATEST
FOCUS
TRENDING TOPICS

Central to the tragic absurdity of this war is the question of language. Vladimir Putin has repeated that protecting ethnic Russians and the Russian-speaking populations of Ukraine was a driving motivation for his invasion.

Yet one month on, a quick look at the map shows that many of the worst-hit cities are those where Russian is the predominant language: Kharkiv, Odesa, Kherson.

Watch Video Show less
MOST READ