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(Even Older) Boomerang Children Weigh On Parents' Well-Being

More and more young and not-so-young people are returning home to live with their parents. A phenomenon which is hard on their aging parents.

Youths tend to stay in their parents’ homes for longer.
Youths tend to stay in their parents’ homes for longer.
Julie Rambal

GENEVA — Françoise, 71, couldn't have dreamt of a more complicated relationship with her 39-year-old daughter Sandra. They used to speak every day, and not a week would pass without them seeing one another. But their relationship changed last September when Sandra arrived and unpacked her suitcases after a break-up. "She stayed seven months. Hell!" sighs Françoise. "She never ceased to remind me that I am old and decrepit and that she can't stand my retired life. Worse, she didn't do anything around the house, despite the fact that she acted very autonomously. I found myself stuck with a 40-year-old teenager."

Françoise says her grown daughter, who wanted a child of her own, had been stung badly by her boyfriend who changed his mind at the last minute. "She took her anger out on me," the aging mother said. "I didn't dare to invite friends over for lunch if she so much as seemed to be in a bad mood. I felt obliged to constantly be at her disposal."

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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