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A Syrian mother and her son in a Lebanese refugee camp.
A Syrian mother and her son in a Lebanese refugee camp.
Maja Janmyr

BEIRUT — Lebanon appears to be mobilizing for the mass return of Syrian refugees, disregarding warnings that conditions in their home country are not conducive to voluntary returns in safety and dignity.

Last week, ahead of Sunday's parliamentary elections, Lebanese President Michel Aoun asked the United Arab Emirates, Egypt and Saudi Arabia to help secure the return of refugees. After the United Nations' refugee agency (UNHCR) stated that it was not involved in last month's return of around 500 Syrians from Lebanon due to conditions in Syria, the UNHCR's representative to Lebanon, Mireille Girard, was summoned by the foreign ministry and asked not to issue any further statements on refugee return.

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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