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'Waiting for Death' In Eastern Ghouta's Underground Bunkers

As the Syrian government continues its offensive in the Damascus suburbs, civilians cower in underground shelters hoping for an end to their living hell.

Syrian children that live in underground to escape the threat of airstrikes and mortar attacks.
Syrian children that live in underground to escape the threat of airstrikes and mortar attacks.
Youmna al-Dimashqi

Ayad Saryoul has spent most of the past month in an underground shelter he shares with his family and 40 other people. Sometimes spending 18 hours straight underground, he passes the time by counting the number of rockets and shells that fall on the besieged Eastern Ghouta suburbs of Damascus.

"There's nothing else to do here," says the 27-year-old resident of Eastern Ghouta. "We're waiting for death to come at any moment. Either by way of shelling or disease."

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García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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