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From Paulo Coelho, A Cautionary Tale Of Terror For Bolsonaro's Brazil

The world-renowned Brazilian novelist was one of thousands jailed and tortured during the military regime (1964-1985) that Brazil's current President Jair Bolsonaro holds in such high esteem.

'The Alchemist' author was abducted by the security police in 1974
"The Alchemist" author was abducted by the security police in 1974
Paulo Coelho

May 28, 1974: A group of armed men breaks into my apartment. They start going through drawers and cabinets — but I don't know what they're looking for, I'm just a rock songwriter. One of them, more gentle, asks that I accompany them "just to clarify some things." The neighbor sees all this and warns my family, who immediately panic. Everyone knew what Brazil was living at the time, even if it wasn't covered in the newspapers.

I was taken to the DOPS (Departamento de Ordem Politica e Social), booked and photographed. I ask what I had done, he says they will ask the questions. A lieutenant asks silly questions and lets me go. From that point on I'm officially no longer in prison — so the government is no longer responsible for me. When I leave, the man who took me to the DOPS suggests we have coffee together. He stops a taxi and gently opens the door. I get in and ask to go to my parents' house — they need to know what happened.

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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