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A cultural revolution?
A cultural revolution?
Andrej Mrevlje

WASHINGTON — The world seems to be stepping into a new era — literally. As if, all of a sudden, the Gregorian calendar is no longer valid and the world needs to start counting from the beginning. On January 20 of the year 2017, according to the old calendar, the new Trumpian calendar will start the first day of the first month in Year 0001.

The world is obsessed with Donald Trump. I work with the news, write both commentary pieces and reported articles, so I have to read through and filter a lot of material every day. In the 25 years that I have been working in the professional news business, I have never experienced a single news story that would occupy so much space as Donald Trump currently does. Perhaps a major act of terrorism? But little if anything else can match Trump for the all-consuming nature of a live story that the whole world is chewing on together.

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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