When the world gets closer.

We help you see farther.

Sign up to our expressly international daily newsletter.

Sources

Can Middle East Diplomacy Help UNESCO Preserve Itself?

The UN culture and patrimony organization's new chief, Audrey Azoulay, a former French culture minister, shares her vision for reviving UNESCO after the U.S. and Israel have announced their withdrawal.

In front of Jerusalem's Damascus Gate in May 2018
In front of Jerusalem's Damascus Gate in May 2018
Marc Semo

PARIS After years of crisis and lethargy, UNESCO — the United Nations' agency in charge of education, culture and science — is showing small signs of revival. During a World Heritage Committee meeting last month in Manama, Bahrain, the texts regarding the historic preservation of the Old City and Walls of Jerusalem and of Hebron were unanimously ratified. And that included support from both the Israeli and Palestinian representatives.

This vote would have been unthinkable just a few weeks earlier. In July 2017, a first draft of the declaration which mentioned the heritage status of the Old City of Hebron had infuriated Israel. That same year, in October, Israel and the United States had announced their withdrawal from the UN agency — which will be effective at the end of 2018 — considered a symbol of the multilateralism abhorred by both Donald Trump and Benjamin Netanyahu.

Keep reading... Show less
You've reached your monthly limit of free articles.
To read the full article, please subscribe.
Get unlimited access. Support Worldcrunch's unique mission:
  • Exclusive coverage from the world's top sources, in English for the first time.
  • Stories from the best international journalists.
  • Insights from the widest range of perspectives, languages and countries
Already a subscriber? Log in

When the world gets closer, we help you see farther

Sign up to our expressly international daily newsletter!
Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

Keep reading... Show less

When the world gets closer, we help you see farther

Sign up to our expressly international daily newsletter!
You've reached your monthly limit of free articles.
To read the full article, please subscribe.
Get unlimited access. Support Worldcrunch's unique mission:
  • Exclusive coverage from the world's top sources, in English for the first time.
  • Stories from the best international journalists.
  • Insights from the widest range of perspectives, languages and countries
Already a subscriber? Log in
THE LATEST
FOCUS
TRENDING TOPICS

Central to the tragic absurdity of this war is the question of language. Vladimir Putin has repeated that protecting ethnic Russians and the Russian-speaking populations of Ukraine was a driving motivation for his invasion.

Yet one month on, a quick look at the map shows that many of the worst-hit cities are those where Russian is the predominant language: Kharkiv, Odesa, Kherson.

Watch Video Show less
MOST READ