food / travel
August 20, 2021
PARIS — On June 8, a Paris court rendered a decision that satisfied both parties involved, though in very different ways. After the wine magazine En magnum published a caricature of a scantily clad woman promising a dazed male wine merchant that should he order a pallet of wine bottles, she would "take off the top." In response, female wine seller, Fleur Godart, filed a complaint on the grounds that she had been "publicly insulted because of her sex." The judges considered the action to be legally inadmissible because the caricature did not feature an "identifiable" person. Logically, the director of the magazine was pleased with the decision. But, surprisingly, Godart was also claiming victory.
For her, she had won in a sense because in rendering its judgment, the court qualified the drawing as sexist. "The misogynistic nature of the drawing was officially recognized," Godart told French daily Libération. "That was my main motivation ... I think that this will make magazines in the wine profession start to think twice before publishing drawings like this in the future."
Sandrine Goeyvaerts, wine merchant, author, journalist specializing in wines and spirits, poses for a photo — Photo: Creative Commons User Debby Termonia
In light of the #MeToo movement and evolving social attitudes, the importance of denouncing sexism has become a priority in various industries — and that includes the wine industry. Still, the challenge is all the more difficult in the world of wine, which has been overwhelmingly male in the past while now rapidly growing to include more women. On top of that, the industry itself is founded in many ways on sexist attitudes and beliefs towards women.
Take, for example, the age-old tradition of prohibiting women from entering wine cellars. The practice is rooted in a superstition that women's periods could make the wine go bad (powerful witches that we are). And, surprisingly, this tradition did not end in the Middle Ages: A recent female wine employee recounted her experience with a former manager on the Instagram account @Pay_tonpinard: "At the winery where I used to work, the general manager wouldn't let me access the cellar during the harvest season because "You never know, if you get your period, you'll screw it up." I told him that he didn't need me and my period to make his wine disgusting." The Instagram page, which encourages speaking out against harassment and sexism in the wine world, is full of similar anecdotes.
"But it's not just the vocabulary. It's also the way expressions are used," said Sandrine Goeyvaerts, a wine merchant and sommelier.
In reality, women have always been a part of the wine industry. But, they were mostly invisible. "Since the creation of modern vineyards, women have been used for small jobs in the vineyards, or for administrative tasks," explained Goeyvaerts. "But they have been excluded from the cellars, from every part of the process that is "prestigious' because even though wine is made in the vineyard, we always turn to the cellar master as the expert."
Wine is frequently qualified as feminine or masculine.
Goeyvaerts, who is a Belgium native, is the most prominent French-speaking feminist figure in the wine world. She is both adored and abhorred on social media, where just a single one of her tweets or photos can provoke hundreds of reactions. She co-founded "Women Do Wine," an association meant to bring together female wine professionals, and give them a larger platform to the media. She also published the book, Vigneronnes, in 2019, a collection of portraits of "100 women who make a difference in the vineyards of France." Her next book comes out in September, titled "The Manifesto for Inclusive Wine."
In a phone interview, Goeyvaerts explained that she wanted to write about the language of wine, and how it influences behavior. "It's not just the vocabulary. It's also the way expressions are used," she explained. "There are the clichés that wine is frequently qualified as feminine or masculine. A powerful or structured wine is always linked to manliness. But for me, a strong frame makes me think more of a house, just like power makes me imagine a car. But nonetheless, the clichés about the feminine and the masculine persist." It does not take much effort to notice how descriptions of wine borrow largely from the feminine repertoire: the wine has a dress, thighs, even suppleness. "When we use these terms, we give the impression of paying homage to the woman by speaking of her curves, her flesh," she says. "But the wine does not personify a woman herself, but the pieces of woman ... a reductive view of the fragmented parts of her body, which is very symptomatic of the heteronormative male gaze."
All of this reinforces the idea that women in wine are still seen as exceptions, described using metaphors and clichés: "We are treated like unicorns. The media feels compelled to single us out ... to talk about my nail polish or to point out aspects of my femininity in ways that aren't always comfortable." Yes, it is time for wine to be inclusive too.
This leading French daily newspaper Le Monde ("The World") was founded in December 1944 in the aftermath of World War II. Today, it is distributed in 120 countries. In late 2010, a trio formed by Pierre Berge, Xavier Niel and Matthieu Pigasse took a controlling 64.5% stake in the newspaper.
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A neo-Nazi has been buried in the former grave of a Jewish musicologist Max Friedlaender – not an oversight, but a deliberate provocation. This is just one more example of antisemitism on the rise in Germany, and society's inability to respond.
Eva Marie Kogel
October 24, 2021
BERLIN — If you want to check the state of your society, there's a simple test: as the U.S. High Commissioner for Germany, John Jay McCloy, said in 1949, the touchstone for a democracy is the well-being of Jews. This litmus test is still relevant today. And it seems Germany would not pass.
Incidents are piling up. Most recently, groups of neo-Nazis from across the country traveled to a church near Berlin for the funeral of a well-known far-right figure. He was buried in the former grave of Jewish musicologist Max Friedlaender, a gravesite chosen deliberately by the right-wing extremists.
The incident at the cemetery
They intentionally chose a Jewish grave as an act of provocation, trying to gain maximum publicity for this act of desecration. And the cemetery authorities at the graveyard in Stahnsdorf fell for it. The church issued an immediate apology, calling it a "terrible mistake" and saying they "must immediately see whether and what we can undo."
There are so many incidents that get little to no media attention.
It's unfathomable that this burial was allowed to take place at all, but now the cemetery authorities need to make a decision quickly about how to put things right. Otherwise, the grave may well become a pilgrimage site for Holocaust deniers and antisemites.
The incident has garnered attention in the international press and it will live long in the memory. Like the case of singer-songwriter Gil Ofarim, who recently claimed he was subjected to antisemitic abuse at a hotel in Leipzig. Details of the crime are still being investigated. But there are so many other incidents that get little to no media attention.
The grave of Jewish musicologist Max Friedlaender
Crimes against Jews are rising
Across all parts of society, antisemitism is on the rise. Until a few years ago, Jewish life was seen as an accepted part of German society. Since the attack on the synagogue in Halle in 2019, the picture has changed: it was a bitter reminder that right-wing terror against Jewish people has a long, unbroken history in Germany.
Stories have abounded about the coronavirus crisis being a Jewish conspiracy; meanwhile, Muslim antisemitism is becoming louder and more forceful. The anti-Israel boycott movement BDS rears its head in every debate on antisemitism, just as left-wing or post-colonial thinking are part of every discussion.
Jewish life needs to be allowed to step out of the shadows.
Since 2015, the number of antisemitic crimes recorded has risen by about a third, to 2,350. But victims only report around 20% of cases. Some choose not to because they've had bad experiences with the police, others because they're afraid of the perpetrators, and still others because they just want to put it behind them. Victims clearly hold out little hope of useful reaction from the state – so crimes go unreported.
And the reality of Jewish life in Germany is a dark one. Sociologists say that Jewish children are living out their "identity under siege." What impact does it have on them when they can only go to nursery under police protection? Or when they hear Holocaust jokes at school?
Germany needs to take its antisemitism seriously
This shows that the country of commemorative services and "stumbling blocks" placed in sidewalks as a memorial to victims of the Nazis has lost its moral compass. To make it point true north again, antisemitism needs to be documented from the perspective of those affected, making it visible to the non-Jewish population. And Jewish life needs to be allowed to step out of the shadows.
That is the first thing. The second is that we need to talk about specifically German forms of antisemitism. For example, the fact that in no other EU country are Jewish people so often confronted about the Israeli government's policies (according to a survey, 41% of German Jews have experienced this, while the EU average is 28%). Projecting the old antisemitism onto the state of Israel offers people a more comfortable target for their arguments.
Our society needs to have more conversations about antisemitism. The test of German democracy, as McCloy called it, starts with taking these concerns seriously and talking about them. We need to have these conversations because it affects all of us. It's about saving our democracy. Before it's too late.
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Die Welt ("The World") is a German daily founded in Hamburg in 1946, and currently owned by the Axel Springer AG company, Europe's largest publishing house. Now based in Berlin, Die Welt is sold in more than 130 countries. A Sunday edition called Welt am Sonntag has been published since 1948.
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