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food / travel

Cuzco, A Living Ode To Peru's Pre-Colonial Past

From architecture to food, history lives on in the Andean city, where residents continue to celebrate their Inca heritage and traditions.

Women in traditional Inca costumes in Cuzco, Peru
Women in traditional Inca costumes in Cuzco, Peru
Rafael Pérez Becerra

CUZCO — High up in the Andes mountains is a magical city with a rich history that began long before Peru was Peru. Time hasn't exactly passed Cuzco by. Little by little, the former capital of the Incas — rulers of an empire that dominated the range for a century until it was destroyed by Spaniards in the 1530s — has modernized. And yet, to a remarkable degree, the legacy of Cuzco's imperial past lives on.

It's no accident. Out of pride and respect for the customs and traditions of their ancestors, residents in Cuzco have engaged in a daily struggle to keep the city's history alive. Evidence of that Herculean effort abound: Even in the most modern hotel, visitors are likely to encounter, in some lounge or lobby, an enormous block from an ancient structure, chiseled as always with millimetric precision.

Carving stones was a specialty of the Incas, who extracted them from revered mountains near Cuzco and shaped them into monumental building blocks. Preserving what is left of the structures is now a cornerstone of Peru"s heritage-preservation efforts.

The country's gastronomy is another living legacy, one that enjoys a fair amount of international acclaim and serves as a magnet for tourists from across the world. In Cuzco, the odors of ancestral recipes pervade the streets.

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Traditional dancing un Cuzco — Photo: McKay Savage

One very traditional product is pisco, an alcoholic drink derived from grapes. The origins of the drink, which is also of great importance in Chile, are disputed. Peru, for that reason, has sought international certification to establish an exclusive claim on the potent and flavorful spirit.

The Peruvians began making pisco when Spanish colonial authorities forbade them to make wine. It can be made from eight types of grape only, four of which are aromatic and four, odorless, though the particular bouquet and agreeable taste of pisco is the result of its particular process of fermentation and distillation.

Unlike wine, pisco is not left to age. Nor do pisco makers add sugar or dilute it. These were conscious decisions made to distinguish the process from the Spanish wine-making tradition imposed on Peru.

Weathering the elements

One need not venture very far from the city to find more prime examples of Inca construction and development. The massive dimensions of the remains are still, in many ways, a mystery given the limited technology available then to transport the bulky components.

[rebelmouse-image 27090445 alt="""" original_size="800x240" expand=1]

Cuzco's Plaza de Armas — Photo: Christophe Meneboeuf

Even more mysterious, perhaps, are the rigorous construction techniques that allowed these monuments to survive for hundreds of years and withstand earthquakes like the one that shook Cuzco on May 21, 1950. More than half the city was destroyed before the impassive gaze of historic edifices that had already witnessed the depredations of the Spanish soldiery.

That, interestingly enough, was the year that authorities began thinking of the area's tourist potential. Faithful to their traditions and culture, Cuzco's residents restored the city using the same massive stone foundations that had withstood the earth's movement. The quake shook with such violence that a black Christ statue made by a city artisan, then buried 10 meters underground for displeasing the Church, rose to the surface in the city square. Locals claimed the shaking stopped and there was a tense calm when the statue emerged. It can now be seen in Cuzco's cathedral.

[rebelmouse-image 27090446 alt="""" original_size="586x850" expand=1]

The "Lord of the Earthquakes" statue in Cuzco's cathedral — Photo: LopeHope

The cathedral, located in the main square, is one of the city's main attractions for its paintings, sculptures and images. The hybrid style of the artwork indicates a determination among local artists to retain their aesthetic traditions. Joseph, Jesus and Mary are shown wearing indigenous garb. One of the dishes shown on a picture of the Last Supper is guinea pig — a local delicacy — accompanied by vessels that would typically contain chicha morada, a traditional drink made from corn.

Into the Sacred Valley

The Incas believed death was not the end of life, but a point of passage. For that reason they had strict funerary rites that historians have deciphered only with difficulty, due to the Spaniards' eagerness to destroy all traces of Inca veneration for the deceased.

Tombs located in the mountains flanking the Sacred Valley of the Incas (a 30-minute drive from Cuzco near the famous Machu Picchu) were closed, then ransacked for the gold and jewels adorning their mummies. They were practically destroyed. Today, visitors must look to discern the mountainside orifices that are the remains of those mystical resting places.

The valley was one of the empire's main sites of agricultural production, thanks to its climate and soil quality. Stone structures located some 3,500 meters above sea level were used as store rooms. Nearby are the modern-day remains of spacious buildings that housed the day laborers who created the stairway structures above rocks, designed to maximize crop yields.

To further fortify its cultural revival, five years ago the city began teaching Quechua, one of the region's main native languages, in schools and colleges. To graduate in university courses like medicine, law, social sciences and of course anything related to tourism, one must obtain a certificate of fluency in Quechua.


*Written at the invitation of Avianca airlines and Peru's tourism agency PromPerú.

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Geopolitics

Kissinger, The European Roots Of Pure American Cynicism

A diplomatic genius for some, a war criminal for others, Henry Kissinger has just turned 100. An opportunity for Dominique Moïsi, who has known him well, to reflect on the German-born U.S. diplomat's roots and driving raison d'être.

A portrait of Doctor Henry A. Kissinger behind a desk in Washington, D.C

Photo of Kissinger as National Security Advisor the day before being sworn-in as United States Secretary of State.

Dominique Moïsi

-Analysis-

PARIS — My first contacts — by letter — with the "diplomat of the century" date back to the autumn of 1971. As a Sachs scholar at Harvard University, my teacher, renowned French philosopher Raymond Aron, had written me a letter of introduction to the man who was then President Richard Nixon's National Security Advisor.

Aron's letter opened all the doors. Kissinger invited me to meet him in Washington, before canceling our appointment due to "last-minute constraints." I later learned that these constraints were nothing less than his travels in preparation for Washington's historic opening to China.

In the five decades since that first contact, I've met Kissinger regularly, at the Trilateral Commission, Bilderberg conference, Davos Forum or, more intimately, at his home in New York. As a young student of international relations, I was fascinated to read his doctoral thesis on the Congress of Vienna: "A World Restored."

Kissinger's fascination with the great diplomats who shaped European history — from Austria's Klemens von Metternich to Britain's Castlereagh — was already present in this book. He clearly dreamed of joining their club in the pantheon of world diplomacy. Was his ambition to "civilize" his adopted country, by introducing the subtleties of Ancien Régime diplomacy?

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