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Weightlifting in Sadr City
Weightlifting in Sadr City
Emilienne Malfatto

BAGHDAD — Her hands, covered in magnesium carbonate for a better grip, are white. Her face is flush. Her gaze fixed. Huda Salem, 20, exhales loudly — twice — into the already sweat-saturated air. Her face contorts. Then, a shout as she lifts 70 kilos of cast iron.

Behind the young woman's massive, muscular figure, hanging from a wall, is an Iraqi flag. Allahu akbar, the flag's giant green letters read: "God is the greatest." The scene takes place in Sadr City, a poor suburb northeast of Baghdad that is better known for bombing attacks than sporting exploits. Inhabited almost exclusively by a Shia Muslim population, Sadr City is regularly targeted by Sunni extremist groups, such as ISIS.

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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