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COVID-19 is still a largely mysterious pandemic
COVID-19 is still a largely mysterious pandemic
Carl-Johan Karlsson

The most common symptoms are fever, a dry cough and loss of taste and smell. The majority of deaths are due to respiratory failure. But more studies about COVID-19 are now focusing on neurological factors in what is still a largely mysterious pandemic. In the last few weeks, findings from around the world give support for earlier indications of coronavirus infections being linked to the brain.

  • Sweden: A study from the University of Gothenburg shows that certain patients in ICU care have suffered brain damage, reports daily Stockholm-based Svenska Dagbladet. Doctors already knew that severe infections impaired cognitive abilities, but it turns out that even patients not in need of respiratory assistance have experienced similar complications. Swedish scientists are now investigating whether the damage is caused directly by the virus or by immune system failure.
  • Italy: Up to 30% of COVID-19 patients have had some impact on the brain, according to Professor Alessandro Padovani, head of the neurology unit at the University of Brescia, who launched a "NeuroCovid" center to study the effects of the virus on the brain. Padovani told Corriere della Sera that the impact on the brain of COVID-19 patients is a more severe version of the potential neurological risks of a typical flu, particularly for the elderly, including a 1.5% higher likelihood of suffering a stroke. This is one of the reasons it is advisable to get a flu shot, Padovani said.

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Ideas

García Márquez And Truth: How Journalism Fed The Novelist's Fantasy

In his early journalistic writings, the Colombian novelist Gabriel García Márquez showed he had an eye for factual details, in which he found the absurdity and 'magic' that would in time be the stuff and style of his fiction.

Colombian novelist Gabriel Garcia Marquez reads his book

J. D. Torres Duarte

BOGOTÁ — In short stories written in the 1940s and early 50s and later compiled in Eyes of a Blue Dog, the late Gabriel García Márquez, Colombia's Nobel Prize-winning novelist, shows he is as yet a young writer, with a style and subjects that can be atypical.

Stylistically, García Márquez came into his own in the celebrated One Hundred Years of Solitude. Until then both his style and substance took an erratic course: touching the brevity of film scripts in Nobody Writes to the Colonel, technical experimentation in Leaf Storm, the anecdotal short novel in In Evil Hour or exploring politics in Big Mama's Funeral. Throughout, the skills he displayed were rather of a precocious juggler.

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