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FOCUS: Russia-Ukraine War

Lifting The Curtain: Bolshoi Ballet Admits Pro-Putin Censorship

Censoring art because of creators' political views is nothing new in Russia — but it's rarely acknowledged. Now, the director of the Bolshoi ballet is saying the quiet part aloud.

image of a ballet performance

A production of War and Peace at the Bolshoi Theatre


MOSCOW — Vladimir Urin, the General Director of Russia's iconic Bolshoi Theater, has admitted to censoring the theater’s repertoire for political reasons.

In a rare revelation, Urin disclosed that creators of performances who publicly criticized the invasion of Ukraine had their names removed from the Bolshoi Theater's promotional materials. The admission marks a significant departure from the usual practice of Russian theaters, where such censorship is typically concealed.

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In an interview with the Russian state-published newspaper Rossiskaya Gazeta, Urin stated, "When certain creators of performances spoke unequivocally against the special military operation, their names were omitted from the posters."

He further revealed that the Bolshoi Theater faced heightened scrutiny and occasional cancellations of performances in response to public outrage, including a surge in critical letters and statements. The expiration of licenses for certain productions was also cited as a reason for cancellations following the onset of the conflict.

Urin also acknowledged that Western theater stars have become increasingly hesitant to collaborate with the Bolshoi Theater. “Before the socio-political situation changed, we were used to the fact that almost half the world came to the Bolshoi Theater,” he said. “We had many guest soloists and important joint productions, which is largely the essence of musical art. But today, there are only isolated cases when our Western colleagues agree to work with the theater," he said. And even those few ask “not to make their names public until the very last moment,” Urin added.

image of Bolshoi Theatre General Director Vladimir Urin at the Bolshoi Theatre

In a file photo, Vladimir Urin speaks at the Bolshoi Theatre

Sergei Karpukhin/TASS/ZUMA

A history of censorship

The Bolshoi Theater's move towards censorship became apparent in the spring of 2022 when the name of Kirill Serebrennikov, an outspoken critic of the war in Ukraine, disappeared from promotional posters. Productions directed by Serebrennikov, such as the ballet "Nureyev" and the opera "Don Pasquale," were subsequently cancelled.

The theater later reinstated the ballet "A Hero of Our Time," without Serebrennikov's name, but it was eventually removed from the repertoire in March 2023, with no explanation.

Cultural figures who have abandoned the country should be removed from cultural institutions.

This practice of censoring anti-war creators is not unique to the Bolshoi Theater, as other Russian theaters have also removed the names of opposition artists from their promotional materials. But prior to Urin's statement, theater administrations had refrained from openly attributing such actions to the creators' political opinions.

In Oct. 2022, a representative from the Ministry of Culture said that it made sense for cultural figures who had "abandoned the country in this difficult time" to be removed from cultural institutions and their promotional materials.

Urin concluded the interview by urging theater staff to continue their work with integrity, emphasizing the importance of remaining "decent people" amid evolving circumstances.

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How Parenthood Reinvented My Sex Life — Confessions Of A Swinging Mom

Between breastfeeding, playdates, postpartum fatigue, birthday fatigues and the countless other aspects of mother- and fatherhood, a Cuban couple tries to find new ways to explore something that is often lost in the middle of the parenting storm: sex.

red tinted photo of feet on a bed

Parenting v. intimacy, a delicate balance

Silvana Heredia

HAVANA — It was Summer, 2015. Nine months later, our daughter would be born. It wasn't planned, but I was sure I wouldn't end my first pregnancy. I was 22 years old, had a degree, my dream job and my own house — something unthinkable at that age in Cuba — plus a three-year relationship, and the summer heat.

I remember those months as the most fun, crazy and experimental of my pre-motherhood life. It was the time of my first kiss with a girl, and our first threesome.

Every weekend, we went to the Cuban art factory and ended up at the CornerCafé until 7:00 a.m. That September morning, we were very drunk, and in that second-floor room of my house, it was unbearably hot. The sex was otherworldly. A few days later, the symptoms began.

She arrived when and how she wished. That's how rebellious she is.

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