January 12, 2016
HONG KONG â€" Megumi Igarashi was just a child when she discovered that certain words were charged with a strange power. â€œMy dad had written a little song about penises and vaginas, but when I sang it in the street, people would look at me, horrified,â€ says the Japanese artist. â€œI realized there was a taboo surrounding these parts of our anatomy.â€
Igarashi also soon realized that the real shock was not so much chinko (penis in Japanese), but manko (vagina).
The 43-year-old plastic artist, looking 20 years younger with a blue ribbon in her hair and a giraffe-ornamented yellow dress, spoke to Le Temps in Hong Kongâ€™s Woofer Ten gallery where she's just launched her latest exhibition.
â€œJapan is a very patriarchal society, very generous towards male sexual desire,â€ she says. Igarashi notes that your local Japanese newsstand is likely to sell dozens of pornographic books and magazines, and every year thousands of visitors travel to the city of Kawasaki to parade with giant phallic sculptures during a festival called Kanamara Matsuri.
Women, on the other hand, are not supposed to express any sexual desire. â€œThe simple mention of the word vagina on television could lead to the hostâ€™s dismissal,â€ she says.
A manga author under the pseudonym Rokudenashiko ("good-for-nothing girl"), she used to make the best of these contradictions. But after undergoing plastic surgery to make her vagina â€œmore conform to male desire,â€ she started to question herself. â€œI realized how I had internalized the psyche disseminated by men and used against women as an oppression tool,â€ she says, speaking with an unwavering smile not matter what the topic.
3D printer for that?
The artist thus decided to play with these codes by making a series of plaster casts of her private parts which she then painted and decorated with little characters to put together scenes. Soldiers armed with riffles taking refuge in the trenches formed by her vulva. Little figures in anti-radiation suits fighting against a flood of contaminated water coming out of her vagina. It was also a reference to Fukushima, â€œanother taboo topic in Japan,â€ she says with a mischievous look.
After a while, she started to use that one oh-so-scandalous shape to make a multitude of objects: a coffee mug cover, an iPhone case, and even a chandelier made of a vulva garland. â€œI want women to reclaim that part of their anatomy that men so often violate and abuse,â€ she says.
Still, humor is always a part of her work. â€œI noticed that when you ask (Apple's voice-activated service) Siri what a manko is, she says she doesnâ€™t know,â€ Igarashi says. â€œI found that strange because she has a woman's voice, so I launched an app that provides a proper answer from her.â€ She also created a vagina-shaped manga figurine, pink with eyes and a mouth.
In 2013, she started distributing a digital model of her private parts for her fans. Her vagina can now be reproduced ad infinitum with a 3D printer. She even used it herself to make a vulva-shaped kayak. â€œFeminist artists often create dark and serious pieces,â€ she says.
Still the intended levity would not suffice in Japan's male-dominated society. In July 2014, a police squad arrived at Igarashi's home, without warning, and took her into custody. She was detained for several days, over accusations that sheâ€™d violated some obscure anti-obscenity law when she distributed the 3D modelling of her vagina on a crowdfunding platform. But she refused to plead guilty. â€œMy art isnâ€™t obscene,â€ she insists.
A few months later, in December 2014, she was arrested again. This time, she spent 23 days behind bars, and is now waiting to appear in court. She faces two years of imprisonment and and a 2.5-million yen ($20,000) fine.
Joaquim da Silva, a Japan-based Portuguese researcher studying obscenity laws said Japan's legislation dates back a century. â€œIt forbids the distribution of obscene material, but doesnâ€™t define whatâ€™s obscene, thus giving way to wide interpretations from judges,â€ da Silva said. In the 1930s, the legislation was used as a tool of political suppression against dissidents of the empire. In 1951, it was used to demand the removal of British writer D.H. Lawrenceâ€™s novel Lady Chatterleyâ€™s Lover.
But over the past few years, the law has been more widely interpreted. â€œIt continues to target sexual minorities and feminist militants,â€ da Silva says. He mentions the case of two gay photographers, Leslie Kee and Ryudai Takano. Both faced trouble over male nude pictures shown in an exhibition. The former was charged, while the second had to cover his photographs with a white sheet.
This crackdown is what convinced Hitomi Hasegawa, the curator of the Hong Kong exhibition dedicated to Igarashi, to organize this event. â€œI wanted to show the parallel between the freedom of speech infringement endured by this artist and that which Hong Kong protesters experienced in 2014 during the umbrella revolution,â€ she explains. â€œIt was also about giving a voice to young female artists, who are ignored too often in Asia, which represents another form of censorship.â€
Twelve artists â€" six from Hong Kong and six from Japan â€" are also taking part in the exhibition. All address the gender issue with a touch of irony or self-mockery. â€œWhat happened to Megumi Igarashi echoes the enormous pressure that China is currently applying on Hong Kong,â€ notes Yuk Kin Tan, a Hong Kong artist taking part in the exhibition with a white space rocket covered with a text from Marxist philosopher Slavoj Zizek. â€œFreedom of speech is in danger.â€
The gallery where the exhibition is held is also a symbol of this censorship. Founded by a group of militant artists who organize each spring a bike demonstration to commemorate the Tiananmen massacre, its governmental subsidy was removed after having taken part in the 2014 protests. Since then, itâ€™s been occupying a tiny space stuck between a health care center against asthma and an NGO that tries to reinstate former prisoners.
(The issue of free speech in Hong Kong has been reignited in recent weeks by the detention of the owners of a political bookshop. Read more here)
Megumi Igarashi is aware of the parallels between crackdowns on her work and similar actions by authorities in China. â€œI recently met with Ai WeiWei,â€ she says of the renowned and oft-censored Chinese artist. â€œHeâ€™s also trying to show with his art what authorities are trying to hide."
What else did the two artists talk about? â€œHe told me that my vagina was now my passport,â€ Igarashi says, before bursting into laughter.
Keep up with the world. Break out of the bubble.
Sign up to our expressly international daily newsletter!
Mark Zuckerberg boasted that his U.S. tech giant will begin a hiring spree in Europe to build his massive "Metaverse." Touted as an opportunity for Europe, the plans could poach precious tech talent from European tech companies.
October 25, 2021
PARIS — Facebook's decision to recruit 10,000 people across the European Union might be branded as a vote of confidence in the strength of Europe's tech industry. But some European companies, which are already struggling to fill highly-skilled roles such as software developers and data scientists, are worried that the tech giant might make it even harder to find the workers that power their businesses.
Facebook's new European staff will work as part of its so-called "metaverse," the company's ambitious plan to venture beyond its current core business of connected social apps.
Shortage of French developers
Since Facebook CEO Mark Zuckerberg announced his more maximalist vision of Facebook in July, the concept of the metaverse has quickly become a buzzword in technology and business circles. Essentially a sci-fi inspired augmented reality world, the metaverse will allow people to interact through hardware like augmented reality (AR) glasses that Zuckerberg believes will eventually be as ubiquitous as smartphones.
The ambition to build what promoters claim will be the successor to the mobile internet comes with a significant investment, including multiplying the 10% of the company's 60,000-strong workforce currently based in Europe. The move has been welcomed by some as a potential booster for the continent's tech market.
Eight out of 10 French software companies say they can't find enough workers.
And yet the enthusiasm isn't shared by everyone. In France, company leaders worry that Facebook's five-year recruiting plan will dilute an already limited talent pool, with eight out of 10 French software companies already having difficulties finding staff, daily Les Echos reports.
The profile of Facebook founder Mark Zuckerberg displayed on a smartphone
Teleworking changes the math
There is currently a shortage of nearly 10,000 computer engineers in France, with developers being the most sought-after, according to a recent study by Numéum, the main employers' consortium of the country's digital sector.
Facebook has said its recruiters will target nations including Germany, France, Italy, Spain, Poland, the Netherlands and Ireland, without mentioning specific numbers in any country. But the French software sector, which has so far managed to retain 59% of its workforce, fears that its highly skilled and relatively affordable young talent will be fertile recruiting grounds — especially since the pandemic has ushered in a new era of teleworking.
Facebook's plan to build its metaverse comes at a time when the nearly $1-trillion company faces its biggest scandal in years over damning internal documents leaked by a whistleblower, as well as mounting antitrust scrutiny from lawmakers and regulators. Still, as the sincerity of Zuckerberg's quest is underscored by news that the pivot might also come with a new company name, European software companies might want to start thinking about how to keep their talent in this universe.
From Your Site Articles
- Inside Facebook's Top Secret Moderation Center - Worldcrunch ›
- The World's Social Media Alternatives To Facebook And Twitter ... ›
- What Is Freedom? Surviving The Facebook Outage In Bulgaria ... ›
Related Articles Around the Web
Premium stories from Worldcrunch's own network of multi-lingual journalists in over 30 countries.
France's top business daily, Les Echos covers domestic and international economic, financial and markets news. Founded in 1908, the newspaper has been the property of French luxury good conglomerate LVMH (Moet Hennessy - Louis Vuitton) since 2007.
The Handelsblatt ("Commerce Paper") is a leading German-language business daily published in DÃ¼sseldorf. It was founded in 1946 and is currently owned by Verlagsgruppe Handelsblatt.
Keep up with the world. Break out of the bubble.
Sign up to our expressly international daily newsletter!