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Geopolitics

Trump's Coronavirus Crisis Management: Find The Scapegoats

Trump responding to reporters on April 7
Trump responding to reporters on April 7
Carl-Johan Karlsson

As the death toll in the U.S. marked a new global high, topping 1,900 dead on Wedneday alone, President Donald Trump is back on the hunt for someone to blame. Facing criticism for initially downplaying the severity of the coronavirus crisis, Trump continues to point fingers at supposed enemies, both foreign and domestic:​

WORLD HEALTH ORGANIZATION

In a White House press conference Tuesday evening, the president threatened to cut U.S. funds to the World Health Organization (WHO), claiming that the international body "missed the call" on the coronavirus pandemic.​

Trump has, for the moment, ceased calling COVID-19 "the Chinese virus," but his latest targeting of World Health officials was another chance to lash out at Beijing. Saying the WHO is in cahoots with Chinese officials, and failed to catch the spreading virus in Wuhan, China. Trump has previously blamed China for the spread, arguing that American officials could have acted faster if China's government had better shared information about the outbreak.

Another favorite target for Trump is Sweden, and Tuesday he claimed the country was "suffering very greatly" due to its herd-immunity approach. Sweden's state epidemiologist Anders Tegnell was quick to respond, telling Swedish Television on Wednesday that we should "pay little attention to Trump's bravados," and that New York is in a much more dire situation than Sweden.

HOME FRONT

Trump's decision to hold daily press briefings is also a chance to both bash the media (a favorite target) but also individual U.S. states for the shortages of medical equipment and other difficulties in responding to the crisis.



For the coming weeks, Worldcrunch will be delivering daily updates on the coronavirus pandemic from the best, most trusted international news sources — regardless of language or geography. To receive the daily Coronavirus global brief in your inbox, sign up here.

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Ideas

Shame On The García Márquez Heirs — Cashing In On The "Scraps" Of A Legend

A decision to publish a sketchy manuscript as a posthumous novel by the late Gabriel García Márquez would have horrified Colombia's Nobel laureate, given his painstaking devotion to the precision of the written word.

Photo of a window with a sticker of the face of Gabriel Garcia Marquez with butterfly notes at Guadalajara's International Book Fair.

Poster of Gabriel Garcia Marquez at Guadalajara's International Book Fair.

Juan David Torres Duarte

-Essay-

BOGOTÁ — When a writer dies, there are several ways of administering the literary estate, depending on the ambitions of the heirs. One is to exercise a millimetric check on any use or edition of the author's works, in the manner of James Joyce's nephew, Stephen, who inherited his literary rights. He refused to let even academic papers quote from Joyce's landmark novel, Ulysses.

Or, you continue to publish the works, making small additions to their corpus, as with Italo Calvino, Samuel Beckett and Clarice Lispector, or none at all, which will probably happen with Milan Kundera and Cormac McCarthy.

Another way is to seek out every scrap of paper the author left and every little word that was jotted down — on a piece of cloth, say — and drip-feed them to publishers every two to three years with great pomp and publicity, to revive the writer's renown.

This has happened with the Argentine Julio Cortázar (who seems to have sold more books dead than alive), the French author Albert Camus (now with 200 volumes of personal and unfinished works) and with the Chilean author Roberto Bolaño. The latter's posthumous oeuvre is so abundant I am starting to wonder if his heirs haven't hired a ghost writer — typing and smoking away in some bedsit in Barcelona — to churn out "newly discovered" works.

Which group, I wonder, will our late, great novelist Gabriel García Márquez fit into?

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