Worldcrunch
In the German city of Mannheim, the museum of modern and contemporary art is re-staging its iconic 1925 exhibition on the art movement. One hundred years on, it resonates strongly with our current era. Does our restless present demand a New Objectivity? Or does it serve as a warning?
Fedaa Zeyad is tired of seeing all the attempts to portray the people of Gaza as superheroes, somehow undeterred in the face of death. She prefers to present them simply as human beings: fearful, tired, desperate, objecting to the terms and conditions of this war.