Worldcrunch
Dafen has long been the world capital of oil painting copies. After years of reproducing masterpieces on an assembly line, these painters would now like to be considered true artists and make a living from their creations. But in this ancient village in southern China, copies pay more than originals.
In the German city of Mannheim, the museum of modern and contemporary art is re-staging its iconic 1925 exhibition on the art movement. One hundred years on, it resonates strongly with our current era. Does our restless present demand a New Objectivity? Or does it serve as a warning?