When the world gets closer.

We help you see farther.

Sign up to our expressly international daily newsletter.

Already a subscriber? Log in.

You've reach your limit of free articles.

Get unlimited access to Worldcrunch

You can cancel anytime.

SUBSCRIBERS BENEFITS

Ad-free experience NEW

Exclusive international news coverage

Access to Worldcrunch archives

Monthly Access

30-day free trial, then $2.90 per month.

Annual Access BEST VALUE

$19.90 per year, save $14.90 compared to monthly billing.save $14.90.

Subscribe to Worldcrunch
Geopolitics

Syria: Monday Morning Wrap-Up

SANA (Syria), AL ARABIYA (UAE), FARS (Iran), BBC (UK)

Worldcrunch

Here are the latest developments on the Syrian conflict:

→Syrian state-run TV announced Monday morning that Prime Minister Riad Hijab had been sacked, amid rumors that he has defected to Jordan.

#Syria is controlled by security & army apparatus, PM is just a tool, yet his defection is good news indeed.

— Majd Arar (@MajdArar) August 6, 2012

→A bomb targeted Syria's state television and radio headquarters in Damascus Monday morning.

State-run Syrian Arab News Agency (SANA) reported that Omran al-Zoubi, Minister of Information, said that there were no fatal injuries and that employees were safe.

"We know politically speaking who stands behind these terrorist operations and who funds them and who wants to silence the voice of the people's conscience…We know who wants destruction for this country and who wants to block the truth," said al-Zoubi.

Al-Zoubi has insisted that the pro-government television networks will continue to operate. A pro-government TV station, Al-Ikhrabiya, published a video showing workers inspecting the material damage in the third floor of the broadcasting center.

Al Arabiya published a video Saturday showing Syrian rebels who have kidnapped 48 Iranians, who they report are members of Iran"s Revolutionary Guard.

In the video, Free Syrian Army fighters announce that the men captured in Damascus were on a reconnaissance mission in the capital, whilst Iran's Fars News Agency has insisted that the Iranian captives are pilgrims.

→Tensions are high in Aleppo as 20,000 Syrian military troops are said to be preparing for an offensive on the country's largest city, the BBC reports.

You've reached your limit of free articles.

To read the full story, start your free trial today.

Get unlimited access. Cancel anytime.

Exclusive coverage from the world's top sources, in English for the first time.

Insights from the widest range of perspectives, languages and countries.

Society

Where 'The Zone Of Interest' Won't Go On Auschwitz — A German Critique Of New Nazi Film

Rudolf Höss was the commandant of Auschwitz concentration camp who lived with his family close to the camp. Jonathan Glazer's The Zone of Interest, a favorite to win at the Cannes Festival, tells Höss' story, but fails to address the true inhumanity of Nazism, says Die Welt's film critic.

Where 'The Zone Of Interest' Won't Go On Auschwitz — A German Critique Of New Nazi Film

A still from The Zone of Interest by

Hanns-Georg Rodek

-Essay-

BERLIN — This garden is the pride and joy of Hedwig, the housewife. She has planned and laid out everything — the vegetable beds and fruit trees and the greenhouse and the bathtub.

Her kingdom is bordered on one long side by a high, barbed-wire wall. Gravel paths lead to the family home, a two-story building with clean lines, no architectural frills. Her husband praises her when he comes home after work, and their three children — ages two to five — play carefree in the little "paradise," as the mother calls her refuge.

The wall is the outer wall of the concentration camp Auschwitz; in the "paradise" lives the camp commander Rudolf Höss with his family.

The film is called The Zone of Interest — after the German term "Interessengebiet," which the Nazis used to euphemistically name the restricted zone around Auschwitz — and it is a favorite among critics at this week's Cannes Film Festival.

The audacity of director Jonathan Glazer's style takes your breath away, and it doesn't quickly come back.

It is a British-Polish production in which only German is spoken. The real house of the Höss family was not directly on the wall, but some distance away, but from the upper floor, Höss's daughter Brigitte later recalled, she could see the prisoners' quarters and the chimneys of the old crematorium.

Glazer moved the house right up against the wall for the sake of his experimental arrangement, a piece of artistic license that can certainly be justified.

And so one watches the Höss family go about their daily lives: guiding visitors through the little garden, splashing in the tub, eating dinner in the house, being served by the domestic help, who are all silent prisoners. What happens behind the wall, they could hear and smell. They must have heard and smelled it. You can see the red glow over the crematorium at night. You hear the screams of the tortured and the shots of the guards. The Höss family blocks all this out.

Keep reading...Show less

You've reached your limit of free articles.

To read the full story, start your free trial today.

Get unlimited access. Cancel anytime.

Exclusive coverage from the world's top sources, in English for the first time.

Insights from the widest range of perspectives, languages and countries.

Already a subscriber? Log in.

You've reach your limit of free articles.

Get unlimited access to Worldcrunch

You can cancel anytime.

SUBSCRIBERS BENEFITS

Ad-free experience NEW

Exclusive international news coverage

Access to Worldcrunch archives

Monthly Access

30-day free trial, then $2.90 per month.

Annual Access BEST VALUE

$19.90 per year, save $14.90 compared to monthly billing.save $14.90.

Subscribe to Worldcrunch

The latest