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Geopolitics

Sebastian Kurz: Victim Of Pandemic, And His Own Ego

The rise and fall of 35-year-old Sebastian Kurz was breathtaking in any context. Yet the resignation of the Austrian chancellor offers unique insights into a political scenario that was very much of our COVID times.

Photo of former Austrian Chancellor Sebastian Kurz in front of a protestor holding a placard that read "Against corruption" in Austrian

"Against corruption": Sebastian Kurz on Oct. 7 in Vienna

Stefan Schocher

VIENNA — Sebastian Kurz is used to being popular. When he was re-elected as Federal Chairman of his party's youth organization in 2012, he received 100% of the votes. And that was exactly the bar against which he, along with all those who basked in his glow, have measured success in the decade since.

Kurz won 99.4% of the votes at the conservative ÖVP party congress this past August. Such a phenomenon might be common in authoritarian regimes, but is rare in a European democracy.


The explanation is simple: With the now 35-year-old, a party of graying ladies and gentlemen, which had grown accustomed to electoral defeats, suddenly had a rising young candidate with whom elections could be won again. And that, above all, brought job security for much of the center-right political class.

Kurz the showman

Kurz was also something of a showman: we saw it with his early campaign slogan "Schwarz macht geil" (Black is cool) in the 2010 Vienna election campaign, and drove around the capital with the "Geilomobil", a campaign humvee. His pose in the off-road vehicle was ridiculed by many, but it few could forget.

Even then, the show made it clear what it was all about: catchy sayings, attention-grabbling positions — and that's exactly what Sebastian Kurz, the now suddenly fallen former Chancellor, had been built on from the beginning.

It is not completely absurd to assume that a small circle within the ÖVP has built him up as chancellor from the beginning. But there were also conflicts: about the timing of his party takeover, the way he exercised power, how he used his ÖVP leadership.

The chancellor's breathtaking rise

Nevertheless, the goal of Kurz's action was clear from the beginning. He was the young star of the party — today he remains its boss. And the one against whom, even today, people avoid challenging his positions, at least publicly, as he was a guarantor of the party's mandates. In other words: Sebastian Kurz, as always, is simply not used to being rejected.

Not a word of remorse.

His resignation on Saturday evening is a perfect example of this world: Kurz offered not a single word of remorse, showed no awareness of mistakes or sense of guilt. He merely apologized for individual statements made in the heat of the moment, which he would not make again today.

Kurz conceded that he, too, is only human. And yet he lacked any sign of self-criticism, a critical analysis of his own actions and insight. Because these are things he never had to learn.

His rise was breathtaking, and other conservative parties in Europe looked with envy of the political success in Austria. Only a few days ago, before the government crisis broke out in Austria, Tilman Kuban, head of the Young Union of the German CDU, claimed: "You can see in Austria that Sebastian Kurz, even as a young conservative politician, manages to rank first among the younger people."

Photo of then Austrian Foreign Minister Sebastian Kurz speaking in Berlin in 2014.

Sebastian Kurz, then Austrian Foreign Minister, speaking in Berlin in 2014.

Goncalo Silva/NurPhoto/ZUMA

ÖVP's MVP

On the European stage, many appreciated and feared him for his straight talk on migration and debt policy. And the "eco-social tax reform" just passed under his leadership was also admired at home and abroad, as it had been negotiated so silently and respectfully within the conservative-green government alliance.

Now, the continuation of the coalition is at least guaranteed without Kurz, Foreign Minister Alexander Schallenberg (ÖVP) is taking over the office of Chancellor.

The accusations against Kurz fit into the picture of a man who is accustomed to the applause of an audience: As early as April 2016, he and his confidants are said to have systematically manipulated media coverage. Kurz was still Foreign Minister at the time: a position that is also considered a springboard in other countries: it offers publicity and ideal photo opportunities — without all the dangers that the lowlands of domestic politics pose. Austria's chairmanship of the Organization for Security and Cooperation in Europe (OSCE) in 2017 provided an additional stage.

The party had committed itself entirely to Kurz.

Kurz and his team are accused of commissioning opinion polls in favor of the young leader, and of having billed them — disguised as studies relevant to the ministry via the Ministry of Finance, which was also led by the ÖVP at the time. The embellished survey results were leaked to the media and also used in the party's internal power struggle for the chairmanship. Witnesses remember how Kurz began to create a mood against party leader Reinhold Mitterlehner in 2016 with such polls.

This was followed by the takeover of the party, the transcoding into a movement and the change of the party color from black to turquoise. The ÖVP had committed itself entirely to Kurz, who was subsequently endowed with far-reaching powers. Mitterlehner later even spoke of a coup.

COVID effect

The secured chat messages from the phone of a Kurz confidant reveal above all how naturally his team has acted, completely apart from criminally relevant facts. It is the choice of words, an excess of self-confidence with which the persons involved acted that is surprising. Not a hint of moral doubt can be seen. If there were objections, it was only in connection with how to conceal their actions. Awareness of injustice? No such thing.

Kurz has never even learned to communicate negative news, mistakes or crises. This has been shown, for example, in the pandemic: Austria's vaccination rate is lower than the German one, the death rates are higher — and the meandering strategy against the virus was met with strong criticism. Still, the professional press people could do nothing about Kurz's leadership approach.

Kurz's ability to deal with criticism is notable. His attacks on the criminal investigators recently seemed almost manic. His defensiveness may serve an end in itself, but seems simply out of place in view of the overwhelming evidence. From this point of view, Kurz is also a victim of the political consequences of the pandemic. It is this reality that appears bound to shatter him.

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Society

Maestro Messi: Soccer As A True Art Form

The Argentine Lionel Messi is the personification of soccer sublime . He has come to move fans in ways that art lovers are moved by a painting.

Lionel Messi between two Philadelphia Union players while on the pitch for Inter Miami

Lionel Messi between two Chester PA players while on the pitch for Inter Miami in action during the semi-final League Cup match at Subaru Park, Pennsylvania, U.S. August 15, 2023.

Luis Vinker

-Essay-

BUENOS AIRES — Lionel Messi, that giant of soccer, is entering the twilight of his career by joining an American team, Inter Miami. He has received all the praise and glory anyone could in the world of sports, not to mention an ocean of publicity, online and offline, and all the money you could hope to earn. A while back, Marius Serra, a journalist with Barcelona paper La Vanguardia, counted 564 press articles on Messi in Spanish alone.

One is reminded of the "perfect beauty" evoked in one of Shakespeare's plays, mentioned in the novelist Stendhal's (1829) travel diary, Promenades dans Rome. Indeed, beside Messi's status as an icon for soccer fans from Buenos Aires to Bangladesh, is there an artistic dimension to this personage? His followers speak of him in superlative terms that suggest inspiration bordering on dizziness. That is how Stendhal felt viewing works of art in Florence.

One of his biggest fans is the Englishman Roy Hudson, a former footballer now based in Fort Lauderdale close to Miami. Recently he compared the exhilaration of watching Messi live to watching a Shakespeare play with the writer himself or watching Rembrandt paint. Millions of people living in Florida could now watch the greatest soccer player of all time, he said. In 2016, when Messi was in Barcelona, he compared him to the magician Houdini.

He has been a subject for at least two contemporary artists, Damien Hirst and Takashi Murakami. Hirst's triptych, Beautiful Messi Spin Painting for One in Eleven, sold for €448,000 for charity a decade ago. Though still young, he already boasts several biographies. One writer, Jordi Puntí, the author of Todo Messi, sees in him the concepts of lightness, speed, precision, visibility and multiplicity, which the Italian author Italo Calvino foresaw decades ago as shaping art and literature this century.

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