Geopolitics

Inside Gaddafi’s Surreal Bubble As The Bombing Begins

Human shields and Shakira beats. The view from one of the foreign journalists accredited by the regime to report from Tripoli, as the Western-led missile attacks begin.

Inside Gaddafi’s Surreal Bubble As The Bombing Begins
Delphine Minoui

TRIPOLI - "Message to the press: you are invited for a tour of Bab-el Aziza. Please gather at the entrance hall of the hotel as soon as possible!" Moussa Ibrahim, the announcer at the hotel Rixos Al Nasr in Tripoli, is speaking with a voice that is more excited than normal. We have to be fast. In the parking lot, our usual tourist bus is waiting for us, and the door is already open. We have only enough time to grab our video recorders, microphones and cameras.

We are the several dozen journalists authorized by the regime to cover events in the capital – and we set off for Bab-el Aziza, Muammad Gaddafi's main base, which is just ten minutes away from the hotel.

Very quickly, a rumor spreads about a public announcement by the Libyan leader. It would be the first response from Gaddafi since Thursday's UN Security Council approval of a resolution for a Libyan no-fly zone. At our arrival at his headquarters, the usual supporters of the regime are already gathered in front of the gates. They are waving green flags and pictures of the Colonel. We pass through several checkpoints. The controls are strangely not very strict. We arrive in front a collapsed compound. It is a symbolic place. Gaddafi barely escaped the US air-striking which was carried out here in 1986 in response to a Berlin discotheque bombing that killed American soliders. Gaddafi's adopted daughter, Hannah, was killed.

The ruins were left here as a memorial. In front of it, hundreds of people are gathering. There are men, women, and teenagers. They are, in effect, forming a human shield. Bab-el Aziza is one of the possible targets of foreign air strikes. The crowd is singing pro-regime slogans, like football fans waiting for their team to take the field.

Banners are warning the West. "The people are ready to die for Libya," one reads. "Libya is ready and out of reach," reads another. There are metaphors too: "We are waiting for you and so are the fish." Our guide explains that this is a reference to a US aircraft which was shot down in the sea in the 80s.

A song that sounds like Shakira is playing. Some veiled women move to the music. Listening more carefully to the words, it is possible to recognize Gaddafi's first speech after the start of the popular uprising. On February 22nd, he said he would "cleanse Libya house by house" and "street by street" if necessary. The song, "Zenga Zenga" ("Street by street") is currently one of the most popular viral hits on YouTube. Noy Alooshe, an Israeli musician of Tunisian descent, created it to support Libyan opposition. The regime seems to have decided to adopt it for its own purposes.

Everything is strange tonight, even the full moon. Oddest of all is when I run into the owner of an esthetician center I'd interviewed last week. Instinctively, she hugs me, though she is a discreet opponent of the regime. Why is she attending such a propaganda show? There is no time to ask. The journalists are requested to gather on the ground floor of the collapsed compound. Minutes and hours go by. Gaddafi will keep us waiting, as usual.

All of a sudden, a cell phone rings. "Two missiles fell in East Tripoli," a fellow journalist says. The military action has officially started. There is no more time to waste acting as Gaddafi's propaganda speakers. All the journalists go back to the big bus, to ask for more updates. Once we are back at the hotel, the news is confirmed: US and British forces have fired more than 110 Tomahawk missiles on Libyan defense targets. One hour later, Gaddafi finally appears on the Libyan national television. "The Mediterranean region has become a real battlefield," he says in a audio message recorded at unknown time and place. "Arms depots have been opened, and all the Libyan people are being armed to defend the country against Western forces." Far away, blasts echo in the night.

Read the original article in French

Photo credit - (startagain)

You've reached your monthly limit of free articles.
To read the full article, please subscribe.
Get unlimited access. Support Worldcrunch's unique mission:
  • Exclusive coverage from the world's top sources, in English for the first time.
  • Stories from the best international journalists.
  • Insights from the widest range of perspectives, languages and countries
Already a subscriber? Log in
Keep up with the world. Break out of the bubble.
Sign up to our expressly international daily newsletter!
Society

Germany's Legendary Clubbing Culture Crashes Museum Space

The exhibition “Electro” in Düsseldorf is an unlikely tribute to a joyful and uninhibited club culture, with curators forced to contend with limits of a museum setting ... and another COVID lockdown.

A woman with a "Techno" tattoo in front of the famous Berghain

Boris Pofalla

DÜSSELDORF — The last party at the Berghain nightclub in Berlin lasted from Saturday evening until Monday morning. On the first weekend of December, some clubbers lined up for nine hours outside the former power plant – and still didn’t make it past the doormen. A friend said that dancing in the most famous techno club in the world on its last evening was like landing a spot in the last lifeboat to leave the sinking Titanic on 14 April 1912.

It is surely a coincidence that the first comprehensive exhibition charting the 100-year history of electronic music in Germany opened in the same week that nightclubs across the country were forced to close. It wasn’t planned that way, but it’s like opening an exhibition about the cultural history of alcohol the day after the introduction of prohibition.

Keep reading... Show less
Keep up with the world. Break out of the bubble.
Sign up to our expressly international daily newsletter!
You've reached your monthly limit of free articles.
To read the full article, please subscribe.
Get unlimited access. Support Worldcrunch's unique mission:
  • Exclusive coverage from the world's top sources, in English for the first time.
  • Stories from the best international journalists.
  • Insights from the widest range of perspectives, languages and countries
Already a subscriber? Log in
THE LATEST
FOCUS
TRENDING TOPICS
MOST READ