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This Happened

This Happened - February 7: British Invasion Is Launched

On this day in 1964, the Beatles landed in New York’s Kennedy Airport to start their first U.S. tour and changed the music industry forever.

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Why did the Beatles visit New York in 1964?

The Beatles visited New York in 1964 for their first U.S. tour, which included appearances on The Ed Sullivan Show and other television programs.

How were the Beatles received in New York in 1964?

The Beatles were greeted by thousands of screaming fans upon their arrival in New York, and their visit was highly publicized and covered by the media.

What was the significance of the Beatles' visit to New York in 1964?

The Beatles' visit to New York in 1964 is considered a significant moment in the history of popular music and culture, as it marked the beginning of the "British Invasion" of American music and the rise of Beatlemania in the United States.

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Ideas

Shame On The García Márquez Heirs — Cashing In On The "Scraps" Of A Legend

A decision to publish a sketchy manuscript as a posthumous novel by the late Gabriel García Márquez would have horrified Colombia's Nobel laureate, given his painstaking devotion to the precision of the written word.

Photo of a window with a sticker of the face of Gabriel Garcia Marquez with butterfly notes at Guadalajara's International Book Fair.

Poster of Gabriel Garcia Marquez at Guadalajara's International Book Fair.

Juan David Torres Duarte

-Essay-

BOGOTÁ — When a writer dies, there are several ways of administering the literary estate, depending on the ambitions of the heirs. One is to exercise a millimetric check on any use or edition of the author's works, in the manner of James Joyce's nephew, Stephen, who inherited his literary rights. He refused to let even academic papers quote from Joyce's landmark novel, Ulysses.

Or, you continue to publish the works, making small additions to their corpus, as with Italo Calvino, Samuel Beckett and Clarice Lispector, or none at all, which will probably happen with Milan Kundera and Cormac McCarthy.

Another way is to seek out every scrap of paper the author left and every little word that was jotted down — on a piece of cloth, say — and drip-feed them to publishers every two to three years with great pomp and publicity, to revive the writer's renown.

This has happened with the Argentine Julio Cortázar (who seems to have sold more books dead than alive), the French author Albert Camus (now with 200 volumes of personal and unfinished works) and with the Chilean author Roberto Bolaño. The latter's posthumous oeuvre is so abundant I am starting to wonder if his heirs haven't hired a ghost writer — typing and smoking away in some bedsit in Barcelona — to churn out "newly discovered" works.

Which group, I wonder, will our late, great novelist Gabriel García Márquez fit into?

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