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This Happened

This Happened — February 10:  Kasparov v. Deep Blue

On this day in 1996, Russian Chess Grandmaster Kasparov lost his first chess game to IBM’s chess computer Deep Blue.

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How did Chess Grandmaster Kasparov react to losing against a computer?

Kasparov initially expressed disappointment and frustration with the loss, but later said he was impressed by the abilities of the computer. He also pointed out that the match was a great opportunity for him to learn from the computer and improve his own game.

How did losing to a computer affect Kasparov's chess ranking?

The loss to the computer did not affect Kasparov's ranking in the chess world, as it was not a standard tournament match, and the ranking is based on performances in official tournaments.

Did Kasparov play against Deep Blue after losing?

Yes, Kasparov played against Deep Blue again in a rematch the following year, 1997, and this time, he won the match by 4-2.

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Ideas

Shame On The García Márquez Heirs — Cashing In On The "Scraps" Of A Legend

A decision to publish a sketchy manuscript as a posthumous novel by the late Gabriel García Márquez would have horrified Colombia's Nobel laureate, given his painstaking devotion to the precision of the written word.

Photo of a window with a sticker of the face of Gabriel Garcia Marquez with butterfly notes at Guadalajara's International Book Fair.

Poster of Gabriel Garcia Marquez at Guadalajara's International Book Fair.

Juan David Torres Duarte

-Essay-

BOGOTÁ — When a writer dies, there are several ways of administering the literary estate, depending on the ambitions of the heirs. One is to exercise a millimetric check on any use or edition of the author's works, in the manner of James Joyce's nephew, Stephen, who inherited his literary rights. He refused to let even academic papers quote from Joyce's landmark novel, Ulysses.

Or, you continue to publish the works, making small additions to their corpus, as with Italo Calvino, Samuel Beckett and Clarice Lispector, or none at all, which will probably happen with Milan Kundera and Cormac McCarthy.

Another way is to seek out every scrap of paper the author left and every little word that was jotted down — on a piece of cloth, say — and drip-feed them to publishers every two to three years with great pomp and publicity, to revive the writer's renown.

This has happened with the Argentine Julio Cortázar (who seems to have sold more books dead than alive), the French author Albert Camus (now with 200 volumes of personal and unfinished works) and with the Chilean author Roberto Bolaño. The latter's posthumous oeuvre is so abundant I am starting to wonder if his heirs haven't hired a ghost writer — typing and smoking away in some bedsit in Barcelona — to churn out "newly discovered" works.

Which group, I wonder, will our late, great novelist Gabriel García Márquez fit into?

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