-Essay-

BUENOS AIRES — Lionel Messi, that giant of soccer, is entering the twilight of his career by joining an American team, Inter Miami. He has received all the praise and glory anyone could in the world of sports, not to mention an ocean of publicity, online and offline, and all the money you could hope to earn. A while back, Marius Serra, a journalist with Barcelona paper La Vanguardia, counted 564 press articles on Messi in Spanish alone.

One is reminded of the "perfect beauty" evoked in one of Shakespeare's plays, mentioned in the novelist Stendhal's (1829) travel diary, Promenades dans Rome. Indeed, beside Messi's status as an icon for soccer fans from Buenos Aires to Bangladesh, is there an artistic dimension to this personage? His followers speak of him in superlative terms that suggest inspiration bordering on dizziness. That is how Stendhal felt viewing works of art in Florence.

One of his biggest fans is the Englishman Roy Hudson, a former footballer now based in Fort Lauderdale close to Miami. Recently he compared the exhilaration of watching Messi live to watching a Shakespeare play with the writer himself or watching Rembrandt paint. Millions of people living in Florida could now watch the greatest soccer player of all time, he said. In 2016, when Messi was in Barcelona, he compared him to the magician Houdini.

He has been a subject for at least two contemporary artists, Damien Hirst and Takashi Murakami. Hirst's triptych, Beautiful Messi Spin Painting for One in Eleven, sold for €448,000 for charity a decade ago. Though still young, he already boasts several biographies. One writer, Jordi Puntí, the author of Todo Messi, sees in him the concepts of lightness, speed, precision, visibility and multiplicity, which the Italian author Italo Calvino foresaw decades ago as shaping art and literature this century.