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Society

Debt Trap: Why South Korean Economics Explains Squid Game

Crunching the numbers of South Korea's personal and household debt offers a glimpse into what drives the win-or-die plot of the Netflix hit produced in the Asian country.

Debt Trap: Why South Korean Economics Explains Squid Game

In the Netflix series, losers of the game face death

Yip Wing Sum

-Analysis-

SEOUL — The South Korean series Squid Game has become the most viewed series on Netflix, watched by over 111 million viewers and counting. It has also generated a wave of debate online and off about its provocative message about contemporary life.

The plot follows the story of a desperate man in debt, who receives a mysterious invitation to play a game in which the contestants gamble their lives on six childhood games, with the winner awarded a prize of 45.6 billion won ($38 million)... while the losers face death.


It's a plot that many have noted is not quite as surreal as it sounds, a reflection of the reality of Korean society today mired in personal debt.

Seoul housing prices top London and New York

In the polished streets of downtown Seoul, one sees endless cards and coupons advertising loans scattered on the ground. Since the outbreak of the pandemic, as the demand for loans in South Korea has exploded, lax lending policies have led to a rapid increase in personal debt.

According to the South Korean Central Bank's "Monetary Credit Policy Report," household debt reached 105% of GDP in the first quarter of this year, equivalent to approximately $1.5 trillion at the end of March, with a major share tied up in home mortgages.

Average home loans are equivalent to 270% of annual income.

One reason behind the debts is the soaring housing prices. In Seoul, home to nearly half of the country's population, housing prices are now among the highest in the world. The price to income ratio (PIR), which weighs the average price of a home to the average annual household income, is 12.04 in Seoul, compared to 8.4 in San Francisco, 8.2 in London and 5.4 in New York.

According to the Korea Real Estate Commission, 42.1% of all home purchases in January 2021 were by young Koreans in their 20s and 30s. For those in their 30s, the average amount borrowed is equivalent to 270% of their annual income.

Playing the stock market

At the same time, the South Korean stock market is booming. The increased demand to buy stocks has led to an increase in other loans such as credit. The ratio for Korean shareholders conducting credit financing, i.e. borrowing from securities companies to secure stock holdings, had reached 21.4 trillion won ($17.7 billion), further increasing the indebtedness of households.

A 30-year-old Seoul office worker who bought stocks through various forms of borrowing was interviewed by Reuters this year, and said he was "very foolish not to take advantage of the rebound."

In addition to his 100 million won ($84,000) overdraft account, he also took out a 100 million won loan against his house in Seoul, and a 50 million won stock pledge. All of these demands on the stock market have further exacerbated the problem of household debt.

42.1% of all home purchases in January 2021 were by young Koreans in their 20s and 30s

Simon Shin/SOPA Images/ZUMA

Game of survival

In response to the accumulating financial risks, the Bank of Korea has restricted the release of loans and has announced its first interest rate hike in three years at the end of August.

But experts believe that even if banks cut loans or raise interest rates, those who need money will look for other ways to borrow, often turning to more costly institutions and mechanisms.

This all risks leading to what one can call a "debt trap," one loan piling on top of another. That brings us back to the plot of Squid Game, "Either you live or I do." South Korean society has turned into a game of survival.

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FOCUS: Russia-Ukraine War

A Russian Nuclear Bluff Or The Very Dangerous End Of "Mutually Assured Destruction"?

Retired Major-General Alexander Vladimirov wrote the Russian “war bible.” His words have weight. Now he has declared that the use of nuclear weapons in the war in Ukraine is inevitable, citing a justification that consigns the principle of deterrence to the history books.

Photograph of a Russian Yars intercontinental ballistic missile system showcased during the annual Victory Day military parade.

May 9, 2023, Moscow: A Russian Yars intercontinental ballistic missile system during the annual Victory Day military parade.

Gavriil Grigorov/Kremlin Pool/ZUMA
Slavoj Žižek

-Analysis-

LJUBLJANANuclear war is the “inevitable” conclusion of the Russian invasion of Ukraine. That's the opinion of retired Major-General Alexander Vladimirov, from an interview he gave last week to the journalist Vladislav Shurygin, and reported by the British tabloid The Daily Mail.

The retired general and author of the General Theory of War, which is seen in Moscow as the nation's "war bible," warned: “For the transition to the use of weapons of mass destruction, only one thing is needed – a political decision by the Supreme Commander-in-Chief [Vladimir Putin].” According to Vladimirov, “the goals of Russia and the goals of the West are their survival and historical eternity.”

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That means, he concludes, that they will use all methods at their disposal in this conflict, including nuclear weapons. “I am sure that nuclear weapons will be used in this war – inevitably, and from this, neither we nor the enemy have anywhere to go.”

Recently, Christopher Nolan’s film Oppenheimer sparked outrage in India because it contained an intimate scene that made reference to the Bhagavad Gita. Many people took to Twitter to ask how the censor board could have approved this scene. A press release from the Save Culture, Save India Foundation read: “We do not know the motivation and logic behind this unnecessary scene on life of a scientist. A scene in the movie shows a woman making a man read Bhagwad Geeta aloud (during) sexual intercourse.”

My response to this scene is precisely the opposite: the Bhagavad Gita portrays cruel acts of military slaughter as a sacred duty, so instead we should be protesting that a tender act of bodily passion has been sullied by associating it with a spiritual obscenity. We should be outraged at the evil of “spiritualizing” physical desire.

Isn’t Vladimirov doing something similar in this interview? He is seeking to somehow elevate a (self-destructive, murderous) passion by couching it in obtuse terms such as “historical eternity.”

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