When the world gets closer.

We help you see farther.

Sign up to our expressly international daily newsletter.


Shakespeare And The French, A Long And Tempestuous Relationship

A new bilingual edition of Shakespeare's complete works has turned new attention to the English playwright's lasting (but not always appreciated) influence on French literature.

Bard, bread and beret
Bard, bread and beret
John E. Jackson

LAUSANNE — Celebrated by some, detested by others, William Shakespeare has long served as a point of reference for the French literary world.

Voltaire (1694-1778), stuck as he was in the ways of classical literature, found Shakespeare's works to be "grotesque" and "contrary to good taste." But he also admitted that the English playwright was, at times, "sublime."

Voltaire's mixed feelings are emblematic of a relationship — between Shakespeare and his later French counterparts — that was always more than a bit complicated. "He was a savage … with some imagination," Voltaire wrote in a letter in 1765.

Shakespeare's posthumous influence helped free early romanticism and then romanticism from the classical straightjacket of classicism, as acknowledged in 19th-century essays by Stendhal (1783-1842) and later Victor Hugo (1802-1885). Why? Because Shakespeare broke all the rules of French classical theater. That's also, of course, why others loathed him.

[rebelmouse-image 27090406 alt="""" original_size="800x533" expand=1]

Paris' Shakespeare And Company library — Photo: jimmyweee

Hugo hailed Shakespeare as the forefather of "drama," by which he meant the mix of theatrical genres that he himself embraced. The French poet Charles Baudelaire (1821-1867) was also a student of Shakespeare. "The real need of my heart, profound as an abyss / Is you, Lady Macbeth, soul so potent in crime / The dream of Aeschylus, born in the land of storms," he wrote in his poem L'Idéal. Fellow poet StéphaneMallarmé (1842-1898) wrote about another Shakespeare character, Hamlet, remarking on his tentativeness and failure to translate potential into achievement.

Shakespeare, in short, has served for the past two centuries as "the Other" who accompanies and speaks to the soul of French literary consciousness.

Lost in translation?

But beyond the issue of Shakespeare's relationship to France, there's also the still-relevant question of how to translate his work to French.

In the 17th century, François de Malherbe (1555-1628), a poet, and Nicolas Boileau (1636-1711), a critic and poet, led a call for purifying and simplifying the French language. The changes that resulted had a significant impact on translation, in some ways complicating the task.

Shakespeare's language was rich and abundant and is also much closer in certain regards to Villon (1431-1463) or Rabelais (1483 or 1494-1553) — who lived and wrote before the "language purification" of Malherbe and Boileau — than to Corneille (1606-1684) or Racine (1639-1699). Molière (1622-1673), had he not written for Louis XIV, might have paved a new way of writing. But he did depend on Versailles. Also, he didn't speak English, so probably never heard of Shakespeare.

In the 18th century, translations were, in fact, adaptations, and a lot of major changes were sometimes introduced, as seen in versions by Pierre-Antoine de La Place (1707-1793) or Pierre Letourneur (1737-1788). The same things happened in England, where theater directors were free to change whatever they wanted to change. For many years, for example, Cordelia didn't die at the end of King Lear, as she does in the original text, but survived in order to marry Edgar. In 1750, the scandal of her death had become unacceptable for an audience shocked by the representation of the tragedy.

[rebelmouse-image 27090407 alt="""" original_size="110x165" expand=1]

Pléiade edition of Shakespeare's complete works

Perhaps the biggest obstacle to translating Shakespeare is the incredible mix of genres the Bard used. He respected conventions only in the loosest of ways, reinventing literature to match his genius. He took so many liberties that he was able to juxtapose crude and ethereal expressions. He mingled lyricism with sententious style. He would go from prose to verse and from verse to prose, with no explanation.

That is why, all these centuries later, the recently published "Pléiade" edition of Shakespeare's complete works is such good news. The new, bilingual edition, translated by Jean-Michel Déprats with help from Gisèle Venet, is an outstanding accomplishment and a welcome contribution.

But does this mean that French-speaking readers finally get the Shakespeare they deserve and waited so long for? Maybe not — for at least two reasons: First, there were already several good translations of Shakespeare's plays and sonnets. Works by Pierre Jean Jouve (1887-1976), Jules Supervielle (1884-1960), André du Bouchet (1924-2001) or the recently deceased Yves Bonnefoy (1924-2016) come to mind.

The second reason is that there can be no "ultimate" Shakespeare, neither in French nor in any other language, not even in English. Shakespeare is meant to be reinvented, and will always be. Shakespeare is ahead of us, and not behind us. That's why he's such a titan.

You've reached your limit of free articles.

To read the full story, start your free trial today.

Get unlimited access. Cancel anytime.

Exclusive coverage from the world's top sources, in English for the first time.

Insights from the widest range of perspectives, languages and countries.

FOCUS: Russia-Ukraine War

A New Survey Of Ukrainian Refugees: Here's What Will Bring Them Back Home

With the right support, Ukrainians are ready to return, even to new parts of the country where they've never lived.

photo of people looking at a destroyed building with a wall containing a Banksy work

People look at a Banksy work on a wall of a building destroyed by the Russian army, in the town of Borodyanka, northwest of Kyiv.

Sergei Chuzavkov / SOPA Images via ZUMA Press Wire
Daria Mykhailishyna

After Russia's full-scale invasion of Ukraine began, millions of Ukrainians fled their homes and went abroad. Many remain outside Ukraine. The Center for Economic Strategy and the Info Sapiens research agency surveyed these Ukrainian war refugees to learn more about who they are and how they feel about going home.

According to the survey, half of Ukrainians who went abroad are children. Among adults, most (83%) are women, and most (42%) are aged 35-49.

Stay up-to-date with the latest on the Russia-Ukraine war, with our exclusive international coverage.

Sign up to our free daily newsletter.

Most Ukrainian refugees have lost their income due to the war: 12% do not have enough money to buy food, and 28% have enough only for food.

The overwhelming majority of adult refugees (70%) have higher education. This figure is much higher than the share of people with higher education in Ukraine (29%) and the EU (33%).

The majority of Ukrainian refugees reside in Poland (38%), Germany (20%), the Czech Republic (12%), and Italy (6%). In these countries, they can obtain temporary protection, giving them the right to stay, work, and access healthcare and education systems.

Keep reading...Show less

You've reached your limit of free articles.

To read the full story, start your free trial today.

Get unlimited access. Cancel anytime.

Exclusive coverage from the world's top sources, in English for the first time.

Insights from the widest range of perspectives, languages and countries.

The latest