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LA STAMPA

Charmer, Provocateur, Eccentric: Who Is John Malkovich?

A portrait of the Artist: arrogant and aloof, ambiguous loony, Mephistophelian charmer, lonely provocateur, clothes designer, baroque musician, and Juventus soccer fan.

Just one of Malkovich's many faces (Petr Novák/B.H.)
Just one of Malkovich's many faces (Petr Novák/B.H.)
Fulvia Caprara

FLORENCE - He might look arrogant and detached from mere mortals, especially if they belong to the unfortunate category of journalists. But observing him in one of his characteristic flowered jackets, patiently answering all the journalists' questions, speaking slowly, one word at the time, and sometimes almost puzzling his interlocutor with his long pauses, John Malkovich is exactly as he appears to be on the big screen.

He comes across as equal parts ambiguous loony, Mephistophelian charmer, lonely provocateur.

Last Sunday, he performed with his music group The Technobohemians at the Tuscan Sun Festival, in Florence. It was a sophisticated experiment, which mixed music, sounds, conversations, theatre and video art. They began with Wichita Vortex Sutra byPhilip Glass, followed by Alberto Iglesias' Factory of Silence, performed by Malkovich.

LA STAMPA: What is the origin of this project?
JOHN MALKOVICH: Iglesias and I have been thinking about doing something together for a long time, a movie soundtrack where I would read the lyrics. Originally, we were thinking of performing it live at the Tate Modern in London. Then, this opportunity arrived.

What is your relationship with silence, given all the noise that usually comes with the life of a celebrity?
I love silence. I hate noise. I don't pay attention to the noise you're talking about.

And what do you like about music?
I spent many years collaborating with a baroque orchestra. Music can tell our story without the support of other arts. Nonetheless, when it is mixed with other arts, it becomes even more interesting.

Would you betray cinema for music?
No, absolutely no. Cinema is still very much a big part of my life. I took part in Jason Reitman's last movie, Labor Day, with Kate Winslet and Josh Brolin. I will be in the sequel of Red with Bruce Willis and Helen Mirren, and I've recently finished shooting Educazione siberiana with Italian director Gabriele Salvatores.

In a time of financial crisis, you are actively involved in a design company, Technobohemian by John Malkovich here in Italy, close to Florence. Is it a sign of courage?
Economy is like a voodoo rite to me. I don't give much importance to these kinds of things. I work here in Italy because I like the people and I think they have talent. If I end up losing money --as it might happen-- it's ok.

Despite your many excellent performances, you have never won an Oscar. Do you mind?
The second time I was a nominee, I didn't even attend the ceremony. I've never liked the idea of competition, and all this money spent in promoting films. None of this stuff concerns me.

Don't you care about winning?
I'll give you an example. I read a lot, at least 15 or 20 books a year. But I never compare them. What would be the point? If I started to think about it, I could tell you which one I like best, but it's useless. I won many prizes, and I lost many others. But I don't care.

Are you into sports? Did you watch the Italy team playing the European Soccer Championship?
My wife is from the Italian region of Piemonte, so Juventus is the only team I'm allowed to support.

You have worked with the Italian directors Bernardo Bertolucci and Gabriele Salvatores. Are there any other Italian directors you would like to work with?
I don't watch enough Italian movies to be able to give you an answer. I saw Gomorra, which I thought was excellent, but still not as good as the book, which was truly amazing.

Read more from La Stampa in Italian.

Photo - Petr Novák/B.H.

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Society

NFTs Are Not Dead — They May Be Coming Soon To A Theater Near You

Despite turbulence in the crypto market, NFT advocates think the digital objects could revolutionize how films and television series are financed and produced.

NFTs Are Not Dead — They May Be Coming Soon To A Theater Near You

Mark Warshaw's series, The Bureau of Magical Things

Fabio Benedetti Valentini

PARIS — Advocates of a "participatory internet" (or Web 3.0) dream of an NFT future for cinematic works and animated films, despite the fact that Bitcoin (and cryptocurrency generally) is struggling. Non-fungible tokens (NFTs) are digital assets based on blockchain technology.

NFT converts say that digital objects could profoundly change the link between the general public and creators of cinematic content by revolutionizing the way animated films and TV series are financed. Even if, by their own admission, none of the experiments currently underway have so far amounted to much.

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