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The New Generation of Brazilian Women Revitalizing Funk Music

Funk is a music genre that originated in Rio and is inspired by social consciousness. Women have been overlooked in the genre, but a new generation of women funk artists are changing that.

Street dancer Renatta Prado pictured in purple under warm lights.

Dancer and street performer Renatta Prado writes about the pain and the delight of her profession, Aug. 12, 2022.

Estela Aguiar, Ingrid Fernandes

RIO DE JANEIRO — Women made and continue to make history in Brazilian funk, a hip hop-influenced music style from Rio de Janeiro that blends funk with Miami bass and rap.

“They contribute not only as interpreters, but there are more and more women debating academically [the style], and being composers, producers [who are] inserted in the music ecosystem,” says Tamiris Coutinho, 31, from Rio de Janeiro, author of the book I Fell Face-first into My Pussy: Funk as a Power of Female Empowerment (“Cai de boca no meu b*c3t@o”).

A music and business graduate from PUC (Pontifical Catholic University) in Rio de Janeiro, Coutinho warns that, despite this growth, the situation is not an even playing field, saying, "Women don't get as many opportunities as men do."

Funk is culture, funk is art 

Originating in the outskirts of Rio de Janeiro, funk began to explode in the city of São Paulo in the 2000s. The funk dancer and teacher Renata Prado, 32, is part of the first generation of funk women in the Brazilian capital. She says that she danced axé, a strong rhythm of peripheral culture, at the time. But around 2005, she got to know funk and changed dance genres.

Prado created the dance show “Dos Tambores ao Tamborzão”, which traces the history of funk through Afro culture. Her show was successful, and led to work on the scene permanently in 2015. As a professional dancer, choreographer and educator, she says that prejudice is still one of the main challenges for those who make a living with funk music.

“We need to convince people that funk is culture, it's art, it's an art from the periphery, which people tend to marginalize. [...] Black youth, who have historically been marginalized since the time of samba, since the time of hip-hop, live the consequences this time with funk.”

In order to create a positive view of the movement, Renata launched the project “Academy of Funk in 2019”, which brings history, language, dance, and also addresses social issues, public policies and feminist narratives that permeate this musical style.

A strong social message 

With rhymes about everyday life, funk communicates the desires and dilemmas of those who live on the outskirts of big cities. The rebellious language, often improvised, brings up issues that society would like to keep under the rug, such as sex, violence, economics and politics.

Among the many funk subgenres, such as prohibition, brega funk, ostentatious funk and trap funk, Larissa Manoel (MC Lalao from TdS), 25, chose the conscious funk in order to express herself, Today, she doesn't make money with funk alone— she works as a salesperson, a judo and self-defense instructor, a security guard and a construction worker.

Between 2015 and 2016, Lalao experimented with rap. But funk is where she really found her voice. “Many people in the neighborhood have a natural talent for rhyming. But not everyone manages to earn money, make a career out of poetry and funk.”

On the other hand, MC Lalao says that having more women doing funk makes it possible for others to join. “It will generate opportunities for other mines to want to do the same thing,” she says. However, this openness still comes up against a series of prejudices.

Artist ''Don Blanquito" waits outside a club before his performance with his girlfriend and friends, Rio de Janeiro, Brazil on March 4, 2012.

Funk Carioca artist ''Don Blanquito,'' brings a message of struggle, love and revolution, March 4, 2012 - Rio de Janeiro, Brazil

Kelley King / ZUMA

Breaking the cis-gender norm

Willing to break barriers, the Irmãs de Pau — a trans duo comprised of Vita Pereira, 25, and Isma Almeida, 24 — sing about experiences within prohibited funk. “Scrappy and peripheral language has a huge pedagogical power of sincere dialogue in communities,” says Isma.

Vita considers that the genre still has a lot to evolve in terms of accepting different bodies and sexualities. “The oppressions in these spaces are more veiled — they materialize in jokes, points of view and postures,” but she notices more “dissident bodies” producing funk.

The trans presence and the desire of “travequeiros”, cisgender men who like to have a sexual relationship with trans women is something that brings less problems than before. “I see more and more trans women dating, having a family, a job, but affection… no,” says Isma.

In 2021, São Paulo was the Brazilian state that recorded the most deaths of transgender people, according to data from Antra (National Association of Transvestites and Transsexuals). Despite this, the songs address less of this violence and many more trans experiences.

Are these the girls that boys like?

Tamiris Coutinho says that Funk’s main characters are men. “When you enter a funk playlist on Spotify, you will see that several songs that are there are produced and sung by men. There are few women within those playlists.”

Her perception is not wrong and is not restricted to funk. According to the study USC Annenberg on representation of women in the music industry, funded by Spotify itself in March 2021, only 1 in 5 artists in the charts are women.

Spotify said it is committed to creating and supporting a diverse audio industry.

On the other hand, in the main editorial funk playlist created by Spotify itself, Funk Hits, which has more than four million likes, only one of the 40+ songs is sung by female performers.

In contrast, here is a playlist we made for you to explore that has over 100 funk tracks made by women.

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How India's New All-In Support Of Israel Could Backfire

The Indian government's decision to move from its historic stance on the Israel-Palestine conflict and to actively support Israel following Hamas' Oct. 7 attack is not only questionable, writes a New Delhi commentator, but it could also have consequences for the country on a diplomatic and geopolitical level.

File photo of ​Indian Prime Minister Narendra Modi in Jerusalem

Indian Prime Minister Narendra Modi in Jerusalem

Anand K. Sahay*


There is an unprecedented quality about the October 7 attack by the Gaza-based Palestinian group Hamas inside Israel which has the potential to alter the strategic dynamics in West Asia in unforeseen ways that may possibly hurt India.

The one-sided Indian official response — in favour of the confirmed aggressor of seven decades even by the UN’s reckoning, as resolution after resolution shows — in this moment of a building international crisis and the wholesale destruction of human rights, the physical flattening of Palestinian townships through the use of air power and artillery over a tiny area, street by street, building by building, while a full-scale Israel-imposed blockade of food, medicines, water and electricity obtains, has been pusillanimous.

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It causes injury to our self-esteem as a nation that could earlier stand erect in the company of nations rich or poor. This was principally on account of India’s humanist approach to international life and causes, its political philosophy of freedom and dignity from colonial oppression, and the effort to uphold democratic values at home, although this was a faltering proposition for a poor country with disparate and frequently disharmonious internal realities.

The current Indian stance on Israel-Palestine is likely to raise questions in West Asia and the Middle East, especially among its people if not in all of its monarchies and governments, as well as within India itself and its entire neighborhood. In light of the unveiling of a new line on the Palestine-Israel question, India’s carefully nurtured reputation may also be expected to suffer in much of Africa and amongst sizable sections of civil society in Western Europe and North America, though not necessarily with their governments.

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