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Germany

Was Hugo Boss Hitler's Tailor? German Fashion House Tries To Quiet Wartime Rumors

The top German fashion house that bears the name of famed designer Hugo Boss has commissioned a study to try to clarify his role during the Nazi regime. The study says Boss was not Hitler's personal tailor, though his company did produce SS unifo

The German execution of 51 Polish hostages in 1941 in retaliation for an attack on a Nazi police station (wikipedia)
The German execution of 51 Polish hostages in 1941 in retaliation for an attack on a Nazi police station (wikipedia)

Worldcrunch *NEWSBITES

The rumors that Hugo Ferdinand Boss designed uniforms for the Nazis, and was even Hitler's tailor, have circulated for years in the press inside and outside of Germany. And that was an image problem for the company he founded, now an international brand of men's and women's clothing with an annual turnover of nearly 2 billion euros.

So the Boss Group commissioned a report on the company's past from the University of Münster – a study that was not published because, a company spokesperson said, it lacked "historical context." The firm then commissioned a second study that has just been published.

The German-language book, Hugo Boss, 1924-1945, sums up the company's role in Nazi Germany as follows: founded in 1924, the company made uniforms for the Wehrmacht (armed forces), SS (security forces) and Hitler Youth. According to Roman Köster, the Munich historian of economics who wrote the book, the firm "derived demonstrable economic benefit" from National Socialism. Some 40 French prisoners of war and 140 forced laborers fabricated Nazi uniforms in Metzingen. Many of them were intimidated but, Koster says, Hugo Boss was not personally involved. There is however indication that Boss, who died in 1948, took action so that the laborers were given more food.

The book goes on to say that the Swabian entrepreneur was not Hitler's tailor, did not design the uniforms, and was one of several manufacturers of Nazi uniforms, and not the leading producer. Much of what Köster writes already appeared in the unpublished first study, Hugo Ferdinand Boss (1885-1948) und die Firma Hugo Boss that was posted on the Internet by its author, ethnologist Elisabeth Timm. She mentions a slightly higher number of forced laborers working at the factory.

Roman Köster stresses that while the Boss company financed the book, it did not try to influence him. "My impression is that they are genuinely interested in working the issue through," he says. The company, a majority share of which is owned by the British Permira group of financial investors, also apologizes for the past on its website. "Out of respect to everyone involved, the Group has published this new study with the aim of adding clarity and objectivity to the discussion. It also wishes to express its profound regret to those who suffered harm or hardship at the factory run by Hugo Ferdinand Boss under National Socialist rule."

Read the full original article in German by Frederik Obermaier

photo - wikipedia

*Newsbites are digest items, not direct translations

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Society

"Splendid" Colonialism? Time To Change How We Talk About Fashion And Culture

A lavish book to celebrate Cartagena, Colombia's most prized travel destination, will perpetuate clichéd views of a city inextricably linked with European exploitation.

Photo of women in traditional clothes at a market in Cartagena, Colombia

At a market iIn Cartagena, Colombia

Vanessa Rosales

-Analysis-

BOGOTÁ — The Colombian designer Johanna Ortiz is celebrating the historic port of Cartagena de Indias, in Colombia, in a new book, Cartagena Grace, published by Assouline. The European publisher specializes in luxury art and travel books, or those weighty, costly coffee table books filled with dreamy pictures. If you never opened the book, you could still admire it as a beautiful object in a lobby or on a center table.

Ortiz produced the book in collaboration with Lauren Santo Domingo, an American model (née Davis, in Connecticut) who married into one of Colombia's wealthiest families. Assouline is promoting it as a celebration of the city's "colonial splendor, Caribbean soul and unfaltering pride," while the Bogotá weekly Semana has welcomed an international publisher's focus on one of the country's emblematic cities and tourist spots.

And yet, use of terms like colonial "splendor" is not just inappropriate, but unacceptable.

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